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Kaya 2022-12-10 14:44:53
Marlene is like a princess out of a fairy tale, and the appearance of running away in a panic is really cute. It's too humorous for my father to sit up in shock when he is dying. "Vulgar" Irish is much more...
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Clifford 2022-12-06 05:42:21
The Irish are simple and stubborn, savage and rude, and love to drink stout, to gamble, to fight, and to watch fights. Ireland is primitive...
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Jerald 2022-12-06 05:26:12
An underdog from Ford and Wayne. The comedy is mainly reflected by the group portraits of the characters in the small town. The explosion is very good at the climax. In addition, the conflict is created through Wayne's past. Noticing the way the male protagonist solves the problem on the wedding night and at the end, he first declares his own principles (breaking in, threatening to destroy the marriage + burning money), and also giving the female protagonist a...
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Owen 2022-12-04 08:40:34
8/10, the narration of classical Hollywood, this film is "Green Mountains and Green Valley" plus "Guanshan Feidu", and the latter part is processed in a crazy comedy mode PS: Raging Bull obviously refers to the clips of this film recalling...
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Antonette 2022-12-02 20:56:31
Ford's films are men's films, expressing the world of men. Even if there are women in this world, it is just one of the countless tests for men to make choices in this world. PS: This title is too DT translated. ....
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Rahsaan 2022-11-21 19:55:32
Golden Strawberry: Today, the crowd watching John Wayne drag Marlene O'Hara together is enough for John Ford to be beaten to death by female boxers. All the villains in Scorsese's "The Irishman" add up, I am afraid that they are not as terrible as Marlene O'Hara. The whole movie can be said to be a great hunt for the bad habits of the Irish countryside, as if everything in the ancient times relied on barbarism to conquer barbarism. The texture of the movie is like an oil painting, and Marlene...
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Carmella 2022-10-31 10:19:42
lol, some clips today are considered domestic...
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Troy 2022-10-22 06:57:03
Ford's color films always have the quality of oil...
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Palma 2022-10-19 16:01:58
The machismo index exceeds the standard... It's really unbearable to drag it there. Even if the heroine has a certain self-awareness, the female characters still exist as...
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Kasey 2022-10-14 19:15:46
Colonialism ➕ machismo, dragging the heroine behind is too rough. John Ford has never concealed his political inaccuracy. On the one hand, it is the limitation of the times. On the other hand, his desire for expression is quite suitable for the first half of this poem. I like the heroine's wild and arrogant character, very...
The Quiet Man Comments
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Zechariah 2022-10-02 14:48:31
Quiet man
Grace Kelly once said that of all the directors she has worked with, John Ford disappointed him the most.
She said that as a director, he doesn't seem to know how to communicate with actresses.
Although this view is extremely emotional and personal, it also shows to a large extent that in John... -
Zechariah 2022-10-02 17:17:45
Brave irish
2021.06.10
"The voice of the young man who left the hometown has not changed. The children's voice has not changed. The children don't know each other, and they laugh and ask where the guests come from." Said it is a refreshing and happy thing. Shang Thornton, who immigrated with his family at a...
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Pat Cohan: Ah, what a day for Innisfree! On a day like this, I can say only one thing - Gentlemen, the drinks are on the house!
[pub patrons suddenly stop their conversations and stare at him in stunned silence]
Pat Cohan: Well, they are!
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Father Paul: Father! Father Lonergan!
Father Peter Lonergan, Narrator: [not wanting to disturb the fish] Ssh, ssh, ssh, ssh, ssh.
Father Paul: It's a big fight in the town!
Father Peter Lonergan, Narrator: Listen, there's a big fight in this fish right here, too.
Father Paul: I'd have put a stop to it, but seeing it's...
Father Peter Lonergan, Narrator: You do that, lad. It's your duty.
Father Paul: But seeing it was Danaher and Sean Thornton...
[Father Lonergan turns at stares at Father Paul in amazement]
Father Peter Lonergan, Narrator: WHO?
Father Paul: Danaher and Sean Thornton!
Father Peter Lonergan, Narrator: WELL WHY THE DEVIL DIDN'T YOU TELL ME? Oh, you young...
[Throws down his fishing rod and the two run back into town. They abruptly stop behind a gate]
Father Paul: Father, shouldn't we put a stop to it now?
Father Peter Lonergan, Narrator: [relishing the fight from a distance] Ah, we should, lad, yes, we should, it's our duty!