The Marriage of Maria Braun Comments

  • Lacy 2022-03-25 09:01:23

    Three mirror images: the first, the relationship of love, the beginning with a vigour and the end of the vigour, the battlefield of love and the tomb of marriage; the second, the era, men are busy destroying the world, and women are busy rebuilding the world. Triple, feminine, and elegant even when walking through the ruins in high...

  • Dianna 2022-03-25 09:01:23

    It seems that the relationship between love, marriage, sex, and the body is very complex, and sometimes it seems simple. Women are strange creatures. The strongest women are also the most vulnerable. Survival is for love, and death is for...

  • Derick 2022-03-25 09:01:23

    8.3/10. ① The heroine who married in Nazi Germany was unswerving in love, but due to the troubled times in post-war Germany, she had to deal with her lovers/boyfriends, and finally she committed suicide because she could not stand the gap between ideal and reality. ②The images are still the repressive techniques of "Fear Devouring the Soul" (but the whole is more conventional, and the calling level is not as good as the latter): cold tones, many framed compositions and foreground occlusion...

  • Chance 2022-03-23 09:03:29

    This one is similar to Lily Marlene's scene, the movement of the characters is smooth, I really feel unaccustomed to it, the camera is no longer cold, I always think of some Spanish director's movies, Chinese roulette and fear swallowing are more cold and...

  • Laurine 2022-03-23 09:03:29

    The first part of the marriage trilogy; the beginning of the fire and the end of the explosion. From the perspective of a woman who has lost her husband, the degenerate process from being loyal to learning to use her body and beauty to gradually become a hot lady after suffering, to reflect the corruption and downturn of German society after the defeat of the war, and criticize the brought about by the war. The cruelty and the cannibalism of the filth and filth, in the end Marianne could not...

  • Iva 2022-03-21 09:03:26

    The remastered version makes the film look like a fashion claw horse indoor TV series. With a Fassbender-esque action zombie feel and creepy...

  • Angie 2022-03-21 09:03:26

    The first of Fassbender's "Women's Trilogy", won the Berlin Special Achievement Award. 1. The actress Hannah Xugula, the Queen of France X, was crowned as the Best Actress in Berlin with her superb acting skills. 2. The social and economic situation after Germany's defeat is reflected by the fate of the heroine. 3. Begin with artillery fire and end with explosions. 4. I thought the ending was too deliberate, dropped the star, and overlapped with the picture with the broadcast sound of Germany...

  • Osbaldo 2022-03-20 09:03:07

    The awakening of female consciousness and the development of her career are always shrouded in the shadow of her husband (war) in prison, and the opening scene is full of magical reality. Under the lens of Fassbender, even the sporadic happy times are portrayed as extremely depressing. The ubiquitous war marks make the film more full. There is a bang at the end, and the woman who reads the will screams, and everything returns to the original...

  • Cassidy 2022-03-20 09:03:07

    In Maria's relationship with her husband, she is always in a passive position; in her relationship with Oswald, she is always in an active state. This is in line with Fassbender's consistent thesis on love: it is the way we are educated that makes love between two people a battlefield of power struggles. "It is clear that the one who loves less has more...

  • Alexie 2022-03-20 09:03:07

    The beginning alone is enough to blow me away, but it's just the...

Extended Reading

The Marriage of Maria Braun quotes

  • Karl Oswald: I feel like a schoolboy.

    Maria Braun: Because you are. A dear, dumb little schoolboy.

    Karl Oswald: Why didn't you want to go?

    Maria Braun: You would've proposed to me.

    Karl Oswald: Right. Is that why - How did you know?

    Maria Braun: I know all about schoolboys.

  • Senkenberg: Your union is talking socialism, Klenze, and I don't like it.

    Willi Klenze: We're only paying you back in kind. It's no wonder, the way you play the entrepreneur.

    Senkenberg: The secretary of the treasury said...

    Willi Klenze: Yeah, "We're all in the same boat." Trouble is, it's your boat, and we have to row it.