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Eusebio 2023-09-27 10:01:56
Beauty is crazy for money, all heroes die for...
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Neoma 2023-09-04 18:14:06
Version 64 is...
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Godfrey 2023-08-30 09:04:35
Strictly speaking, the 1964 edition has nothing to do with Hemingway. Of course, this one only comes from the novel for the first ten minutes. After all, the novel is limited in length, and the adaptation needs to be expanded. I still prefer novels, but the expansion seems to be a bit of a continuation, thinking of Borges'...
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Raina 2023-08-09 06:58:21
Motives of Insurance Advisors? The actors are also weaker; the opening scene is still the...
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Sandrine 2023-08-06 07:24:37
Peeling an onion type movie. It is not easy for a person who sells insurance to be able to mix in the hail of bullets, swords and...
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Reinhold 2023-07-12 12:48:20
The schedule of the robbery scene was like Orson...
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Agustina 2023-07-04 15:50:18
Adapted from Hemingway's novel, it is completely different from the 1964 version, but the old version wins. Traditional noir films, with multiple and single-perspective narration, the plots are interlocking, there is no noise, no redundant words, some are just concise, revealing layers of real events, just like dominoes. The women of that era, the director only asked them to portray one characteristic:...
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Josue 2023-06-12 05:38:39
Empty Valley orchid model play, a woman is really suitable to be a...
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Elias 2023-06-11 18:56:41
Burt Lancaster is so...
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Beulah 2023-05-08 12:00:49
Okay, it's fun to follow the insurance investigator backwards and rewind the actual events, but not too impressive. Femme scorpion is also standard in film noir, and Ava Gardner is just right to stop...
The Killers Comments
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[last lines]
[after Reardon has wrapped up the investigation, Kenyon congratulates him]
R.S. Kenyon: Owing to your splendid efforts the basic rate of The Atlantic Casualty Company - as of 1947 - will probably drop one-tenth of a cent.
[he shakes Reardon's hand]
R.S. Kenyon: Congratulations, Mr. Reardon.
Jim Reardon: I'd rather have a night's sleep.
R.S. Kenyon: Why don't you take a good rest. I must say you've earned it.
[Reardon starts to leave]
R.S. Kenyon: This is Friday... don't come in 'til Monday.
Jim Reardon: Thanks.
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George: What'll it be, gentlemen?
Max: I don't know. Whatta you want to eat, Al?
Al: I don't know what I want to eat.
Max: I'll have the roast pork tenderloin with apple sauce and mashed potatoes.
George: That's not ready yet.
Max: Then what's it on the card for?
George: Well, that's on the dinner. You can have that at six o'clock. That clock is ten minutes fast. The dinner isn't ready yet.
Max: Never mind the clock. What have you got to eat?
George: Well, I can give you any kind of sandwiches: bacon and eggs, liver and bacon, ham and eggs, steak...
Al: I'll have the chicken croquettes with the cream sauce and the green peas and the mashed potatoes.
George: That's on the dinner too.
Al: [with nasty edge to his voice] Everything we want's on the dinner. That's the way want's on the dinner - that's the way you work it, huh?
George: I can give you ham and eggs, bacon and eggs...
Al: I'll take ham and eggs.
Max: Give me bacon and eggs.
George: [through the service window into the kitchen] One ham and, bacon and.
Sam: [loudly] Comin' up!
