The Gleaners & I Comments

  • Bret 2022-03-15 09:01:09

    The Varda girl’s heart is bursting, it’s really fun~ It’s very humanistic care, I would like to ask which director is still going to shoot trash, even if it is filmed, who will have a relationship between them and art, even if they are related, Who would call them a poetic name like...

  • Kaelyn 2022-03-15 09:01:09

    The gleaners in the oil paintings are the scavengers who live in hardship. Their stooped waist is a compromise to life, and the proud look is their attitude. Except for them, we are actually scavengers. Perhaps it is an attitude of life that makes the best use of everything, perhaps the end of the game, the beginning of art, or perhaps a habit that has been like a day for decades. Varda is also a scavenger. What she picks up are images, memories, and heart-shaped potatoes that will not rot in...

  • Marlene 2022-03-14 14:12:29

    Like using a movie to write prose, France seems to be full of landscapes, and can be used to paint anywhere! Movies are the art of imagination, and documentaries are the sound of the moment. If you think that life is boring, you can find a theme to make a documentary at will, it should immediately become interesting. What is impressive is, are you willing to shake hands with the garbage...

  • Karina 2022-01-22 08:02:36

    What is a good documentary? DV record, Varda said that these new compact camcorders, digital cameras, look weird, their effect is a stroboscope, narcissism. She patted herself combing her hair and her hands. No no, this is not insanity, this is not disappointment, my enemy is not old age; even in old age, my friend is still alive. My hair and my hands tell me that life is over. -Then my hand, sharing its terrible wrinkles, feeling like an animal, but I don’t know what kind of animal it is. Many...

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The Gleaners & I quotes

  • Agnès Varda: He looked at an empty clock but put it back down. I picked it up and took it home. A clock without hands works fine for me. You don't see time passing.