The Gleaners & I Comments

Gladyce 2023-06-13 09:39:54

It shows a state of picking up in an egalitarian, suffering yet extremely sincere creative way. I remember a follow-up exhibition for heart-shaped potatoes that couldn't enter the market. The choice of perspective and material is very...

Rickey 2023-05-27 13:54:11

Agnès Varda is worthy of being the grandmother of the French New Wave. In 2000, when DV was just emerging, she took it up and made a documentary. Picking up waste can be an attitude, a position, a belief, and, of course, a way of life. Group portraits of scavengers, poverty and scavenging, law and scavenging, faith and scavenging, art and scavenging, the world of scavenging is so colorful, you may not participate, but you may wish to pay...

Elfrieda 2023-05-26 06:45:12

Giving every scavenger dignity and respect is what any civilized country should do, just like the heart-shaped potato on the movie poster, which represents the conscience of this human being, thanks to Varda for making this great...

Lola 2023-04-05 16:28:16

Full screen 100% green and cute! Green environmental protection comes from the love for every drop of life products, and cuteness is even more natural. Reminds me of Mekas time and time again. This kind of love makes people unable to learn hypocritically the day after tomorrow, but if there is a trace of it that is not so heartfelt, it will not fool the audience....

Lonzo 2023-03-16 19:34:30

Varda and the movie itself are so cute! ! The self is incorporated into the documentary, wrinkled hands, camera caps that shake when dancing, rotten heart-shaped potatoes, and it's all so much fun! 0204 서울아트시네마with...

Charley 2023-02-28 03:29:18

Agnès, whose hands are full of wrinkles, combines humanistic care and art, and focuses on the discards after the market and the orchards after picking. These wastes defined by most people have become the material and spiritual food of a few people. The environmental protection concept of turning waste into treasure is an inherent moral constraint, and the use of waste is not a shameful...

Coleman 2023-02-19 00:00:17

9.0/10. Documentary about scavengers, some poor people, some artists. Participatory Documentary of the Six Documentary Types, Cinema vérité. The most audio-visually inspiring thing about this film is how to make the documentary seem less condescending. Specifically, Varda used his own temperament to dilute the content of the film by frequently entering paintings and introducing himself (whether it was picking up, hair, hands, or whatever), talking to interviewees, and narrating. Sadness and...

Mina 2023-01-19 15:12:49

It seems to be talking about modern scavengers, but in fact it just uses the visual medium of documentary to tell the passage of time and the compassion of human society ps:...

Helga 2023-01-14 04:03:01

In the end, I was still moved. Every work of Varda seems to point to herself, and her documentaries have the same theme in the end. Although the object of the gleaner is given enough calm and rich thinking, the protagonist is also her, the source of imagination, and the scavenger of...

Rachelle 2022-12-29 09:42:46

Expanding from naturalistic feelings to humanistic concerns, unified market standards deny the value of certain fruits, and Varda is the picker of such an image: rehabilitate those human values ​​abandoned by modern society, and give free People outside the mainstream social values ​​pay attention and respect, just like the painting at the end of the film, before the storm, go against the wind. Keen insight, love of life, and the heart of returning to the game, keep the film interesting and...