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Brionna 2022-03-24 09:01:52
Four and a half stars. Coppola's first Palme d'Or (later "Apocalypse Now"), 12 works between "The Godfather", a product after the "Watergate Incident", but the director's intention has risen to a higher level, exploring loneliness from the perspective of privacy 's heart. The same year as Polanski's "Chinatown" - the long opening shot is like a reversal of its closing shot, and the panning shot is like a "monitor" that allows the characters to be watched by the audience, which forms a strong...
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Braeden 2022-03-24 09:01:52
Four and a half stars. Coppola's first Palme d'Or (later "Apocalypse Now"), 12 works between "The Godfather", a product after the "Watergate Incident", but the director's intention has risen to a higher level, exploring loneliness from the perspective of privacy 's heart. The same year as Polanski's "Chinatown" - the long opening shot is like a reversal of its closing shot, and the panning shot is like a "monitor" that allows the characters to be watched by the audience, which forms a strong...
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Cary 2022-03-24 09:01:52
Four and a half stars. Coppola's first Palme d'Or (later "Apocalypse Now"), 12 works between "The Godfather", a product after the "Watergate Incident", but the director's intention has risen to a higher level, exploring loneliness from the perspective of privacy 's heart. The same year as Polanski's "Chinatown" - the long opening shot is like a reversal of its closing shot, and the panning shot is like a "monitor" that allows the characters to be watched by the audience, which forms a strong...
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Jerel 2022-03-23 09:01:55
I have to say that the PVC trench coats in the 1970s were really stealing the...
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Johanna 2022-03-23 09:01:55
7 points. Slag translated name, there is no big conspiracy, it is all about the inner drama of the male protagonist, and the lonely detective suffers from conscience. But how can such a vulnerable person be at the top of the industry? Plenty of freehand shots expressing a sense of alienation and emptiness. There are too many direct eavesdropping effects, and the eavesdropper and the eavesdropper speak at the same time, which is easy to cause hearing...
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Jedidiah 2022-03-23 09:01:55
The whole film is full of various trust crises after Watergate, and regards distrust of others as self-protection; some people say that without trust, we will be unable to survive. It is a pity that we are still alive not because of trusting others and society, but giving up on ourselves first #opening overhead shot long shot / dream atmosphere rendering, suspense placement and discussion on social issues are impeccable, it is worth repeating and watching good...
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Jeffery 2022-03-22 09:01:49
Voice narration, psychological externalization, shrewd and...
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Francisco 2022-03-21 09:01:55
⒈I still prefer the same type of "Eavesdropping Storm"; ⒉I felt a little strange about the exchange of eavesdropping technology, although the eavesdropping technology I learned was its past history; ⒊The reverse design at the end is quite good, surprising ;⒋To be honest: If it weren't for the big screen of the China Film Archive's Art Theater, this slow-moving (narrative rhythm) film would have made me impatient or even drowsy watching it on a computer or mobile...
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Michelle 2022-03-21 09:01:55
@filmoteca thinks the Chinese title is extremely stupid, so it's good to translate it directly into "dialogue", after all, the whole film is very small. But small is not the same as less. The core hidden under the layers of sophisticated and complicated techniques (its greatness is precisely that it looks extremely light and concise) is still the emptiness and loneliness that Coppola is good at, which is quite charming. theme is undoubtedly the pinnacle of pure piano soundtrack, and it is never...
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Adeline 2022-03-21 09:01:55
According to the standards of today's movies, the rhythm of this film is slow and there is a lot of nonsense! The plot is okay, but not particularly exciting. Generally speaking, the score of 8.1 is a lot...
The Conversation Comments
Extended Reading
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Harry Caul: [from dream sequence] He'll kill you if he gets a chance. I'm not afraid of death. I am afraid of murder.
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Martin Stett: I'm not following you, I'm looking for you. There's a big difference.