The Conversation Comments

  • Luisa 2022-03-21 09:01:55

    Wandering slowly through different levels of Maslow's needs and experiences, the process of psychological externalization of suspicion is laid out in the skepticism, and Hackman, who dismantles the recording, is very much like Hemings who develops photos in...

  • Wellington 2022-03-21 09:01:55

    Blow-Up is a visual expansion, this film is an auditory penetration. From the perspective of public psychology, it is the unsolved trust crisis in American society after the Watergate Incident. When the eavesdropper fell under the dual pressure of subjective morality and objective existence, the proud belief collapsed, and the Great Wall self-destructed and...

  • Violette 2022-03-20 09:01:45

    In the end, Harry Cole was sitting in the house he demolished playing the saxophone. Gene Hackman's acting in this movie is...

  • Elias 2021-12-08 08:01:44

    Enlarged photos and dialogue recordings are the chain reaction of a series of psychological events to investigate the truth, and in the end, the suspicion of oneself rises to the philosophical height of nihility just like Kee’s "Fan". Coppola relied on "The Godfather 2" to win the Palme d'Or and Oscars in succession with this film, and it was really good enough, and the United States had a deep political background at that time. If you lose your career, love, and belief, people will go crazy....

  • Meggie 2021-12-08 08:01:44

    1. Reveal that modern technology's infinite push and pervasive penetration of people form a [dialog] relationship with [zoom] [cruel line]. 2. Meta-movie, the presentation of peeping and eavesdropping, the separation of sound and picture, the space outside the picture, can be called a textbook. 3. In the misty wasteland nightmare, in front of the bloody toilet, in the saxophone whispering from the demolition of the old house, loneliness and craziness hit the heart. 4. God whose name cannot be...

  • Oran 2021-12-08 08:01:44

    Eavesdropping on the big boring film in the film, the director is putting a long line, but I always think he didn’t catch a big...

  • Jaclyn 2021-12-08 08:01:44

    I don’t understand those who think that this film is inferior to Coppola’s other works. The narrative is temperate and bloody, the character modeling, the penetration of passive music, the ultimate disappointment in human nature, the psychological shadow of previous work, and the lonely master’s No one responded, until at last the saxophone blew out an empty state of speechlessness. Coppola's spiciness and nourishment are undoubtedly revealed, what could be more worthy of five stars than...

  • Alysha 2021-12-08 08:01:44

    Awesome! With the sound of the original sound and the constant flashbacks, Coppola's psychology almost crushed me to death, and I was sweating. Great! (Then I saw Walter Murch's name at the end of the...

  • Janie 2021-12-08 08:01:44

    The subtle changes in mental activities and emotions can be so thrilling, Coppola can be described as a master, is definitely the ability to endure loneliness. Hackman is exquisite and exquisite, and his exquisite acting skills are shocking. Fu Bo was still very young. The ups and downs of the small plot beat are perilous, and the conspiracy and demons complement each other. The ending was reversed, thinking that the bystanders were clear, who expected to be in the game. Eventually, his...

  • Nedra 2021-12-08 08:01:44

    The manager didn’t know about the eavesdropping. His assistant and the manager’s wife planned the murder, and the eavesdropper and the other person who was eavesdropped were only used roles. Without this recording, the manager would not arrive at the hotel on time. This allowed his wife to complete the murder of him, so from start to finish, the assistant urged the eavesdropper to hand over the recording, so that the manager could hear it. In the eavesdropping, the woman finally pretended to...

Extended Reading

The Conversation quotes

  • Harry Caul: [from dream sequence] He'll kill you if he gets a chance. I'm not afraid of death. I am afraid of murder.

  • Martin Stett: I'm not following you, I'm looking for you. There's a big difference.