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Cathy 2022-03-18 09:01:05
The film has a lot to say in photography and editing, with a strong imprint of that...
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Donna 2022-03-18 09:01:05
Interestingly, a communist described a fascist, made him fall in love with an anti-fascist activist, and finally killed him. In fact, this is a story of Salome's pure love. Camus actually wrote the actor. But in fact, the male protagonist doesn't know what he is being influenced by, he is so contradictory. There are too many metaphors, but the sound and pictures are more beautiful. Every screenshot of the train bridge shows the beauty of...
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Spencer 2022-03-17 09:01:06
The psychological display of the individual fellows and the historical analysis of the fascist movement, the surface narrative and the deep symbolism are perfectly and delicately combined into one...
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Isac 2022-03-17 09:01:06
3.5. The flashback structure cannot be logicalized, just like a nightmare. The pursuit of Normalcy. Looking for surrogate father"s", facing these authorities, both want to please and destroy, the Oedipal complex. Godard complex (the address of the professor in the film is Godard's XD). Plato's cave. Laurel and Hardy. bisexual, self-identity confusion under fascist rule (?). The beauty is shocking (except for Storaro’s photography, it’s even more double-faced), but it’s a bit pretentious and the...
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Ezequiel 2022-03-16 09:01:06
#重看# retains the theme of "the desire to prove that my life ruined by original sin is correct" in the original work. In Vittorio Storaro's exquisite photography, I feel "all of us have lost us in one way or another. Innocent and innocent, this is the normal state.” Compared with the inner drama in which a large number of long sentences are superimposed in the original work, the film focuses more on the shadows under the cage of flashback memory, the stitching of time and space jumps, the...
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Angel 2022-03-16 09:01:06
(8.4/10) The entry of political perspective, the traumatic Freud complex of childhood, the combination of power and sex, the confusion after the subversion of beliefs. I saw some of the French New Wave, especially the shadow of Godard (Bertolucci itself was affected by the New Wave), and the strong sense of form (photography, movement, composition, lighting and other visual elements to perfection, which affected the " "The Godfather" and a series of later films). Photographer Storaro was later...
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Ernest 2022-03-15 09:01:05
Although he doesn't like this kind of personal expression, although his technique is so nihilistic, he has to admit that such characters are real, people who live without principles for their own...
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Nakia 2022-03-15 09:01:05
No matter which novel movie you watch first, it will damage the pleasure of watching another movie. Although the movie exists as an independent work, it is hard not to compare after reading the novel, especially when you feel that the director does not grasp the protagonist’s weird and unique essence (fear of nature) It's hard not to feel lost. Bertolucci’s splendid images and smooth plot are completely different from the original atmosphere, but it did take a lot of effort to include plot and...
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Coralie 2022-03-14 14:12:26
It is unique in photography, lens movement, lighting, color, editing, and soundtrack that has established a new height in film history. The theme colors of yellow and blue are just like the sunset and blue night outside the window when the train is caressing. The pure white order of the mental hospital. Lao Bei's iconic light and shadow time magic, cave fables, fascist blind and same-sex temptation. Sinking in lust and sin, tossing and swaying between father-killing and father-seeking,...
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Sammy 2022-01-11 08:02:26
From drinking Maotai in the Chinese restaurant to the end of a series of magical scheduling clips, it perfectly portrays the individuals and the masses who are in the whirlpool. Marvel at the creative power of the director’s two swords combined with photography. Bertolucci is good at integrating erotic life experience into political movements. Storaro’s light and shadow scenes and various lens movements are amazing, love and red. When the old man was young, his temperament was full of charm and...
The Conformist Comments
Extended Reading
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Giulia: What was Marcello like as a student?
Professor Quadri: Serious. Too serious!
Giulia: But you can't be too serious.
Professor Quadri: Really serious people are never serious.
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Anna: [to Marcello] You're only a worm. You revolt me. You're disgusting!
Director: Bernardo Bertolucci
Language: Italian,French,Latin,Chinese Release date: March 21, 1971