The Conformist Comments

  • Gudrun 2022-03-26 09:01:10

    Feast for the eyes, Pierre Clémenti!...

  • Athena 2022-03-26 09:01:10

    It is difficult for Bertolucci to rarely play this level of editing later. The script is perfect, even if you criticize his good frame for holding back a lot of deep expressions (compared to the director's old spider strategy), you have to admit that this film is a perfect narrative that spans time and space, thinking in the way of To Qifeng, and Bertolu later Qi has spent his whole life remaking section after section of this movie, like Wong Kar Wai's True Story, Cassavetes' Shadow, Scorsese's...

  • Lolita 2022-03-26 09:01:10

    I personally think that Bertolucci does not follow the route of traditional narrative coffee (narrative techniques and structure are worth studying, and the story is told in a loose and non-linear manner), but this will help the interaction between the viewer and the image. The lighting of the picture composition is amazing, amazing! The amount of information is huge, I have seen genres such as martial arts/romance/black/crime/ethics/politics and even absurd...

  • Billie 2022-03-25 09:01:15

    The editing and colors are super-beautiful, and the flamboyant lust of the drama, in the mainstream of the times, complements the gray political background, and the winding paths under the small incisions lead to seclusion. The hero is lonely, the beauty is withered. Compared with the previous one, the "love" part is...

  • Skylar 2022-03-25 09:01:15

    The editing and colors are super-beautiful, and the flamboyant lust of the drama, in the mainstream of the times, complements the gray political background, and the winding paths under the small incisions lead to seclusion. The hero is lonely, the beauty is withered. Compared with the previous one, the "love" part is...

  • Alisha 2022-03-25 09:01:15

    The editing and colors are super-beautiful, and the flamboyant lust of the drama, in the mainstream of the times, complements the gray political background, and the winding paths under the small incisions lead to seclusion. The hero is lonely, the beauty is withered. Compared with the previous one, the "love" part is...

  • Ellen 2022-03-25 09:01:15

    Visual language professional grade 8 perfect score player! Not just the angle and movement of the camera, not just the color, but every element of movement, stillness, light and shadow in the picture is perfect. When indecisive, the lamp swings on the left side of the picture, and the dancers form tightness when approaching a blind spot. The tightly surrounded vortex - this character's face is as cold as a brick ninety-nine percent of the time, but everything else in the picture can speak for...

  • Bernadette 2022-03-25 09:01:15

    Childhood trauma throughout the protagonist's life seems to be the norm in Bertolucci's films. Marcelo's discussion with leftist professors on Plato's cave theory, as well as the shadow that disappeared without a trace after opening the window, gave the audience a hint to grasp the subtle psychological state of the characters in the blurred light and shadow. Maybe you and I are just accomplices who don't know it, and even Mussolini's resignation has not been able to wake up, holding a banner...

  • Spencer 2022-03-25 09:01:15

    The three themes of Bertolucci's films: the man shaped by the environment, the man of the floating grass, the man on the go, the hostage of history or the individual played by history; incest fantasies; Years: The Storm of May and the New Wave of Cinephiles). | After watching the movie and rereading "Mirror and Secular Myths" again, Master Dai wrote it so...

  • Keagan 2022-03-25 09:01:15

    For those who follow the crowd, the story is absent or absent, but in flashbacks and interludes, the viewer can spell out the blueprint, leaving a long thought at the end. The lighting and movement of the mirror are gorgeous and wonderful, with a sense of oil painting. The discussion between the hero and the professor about caves and life in the interplay of light and shadow is also...

Extended Reading

The Conformist quotes

  • Giulia: What was Marcello like as a student?

    Professor Quadri: Serious. Too serious!

    Giulia: But you can't be too serious.

    Professor Quadri: Really serious people are never serious.

  • Anna: [to Marcello] You're only a worm. You revolt me. You're disgusting!