The Ascent Comments

  • Leatha 2023-09-25 16:42:23

    It's so awesome, and it's one after another, the more you go, the more awesome you get. It even gives a Dreyer feeling. Shepichenko taught us to use what kind of scene and what kind of scene to use, what length of lens to use, no technique is yyds, so as to maximize the impact, such a film has Breathing and...

  • Robb 2023-09-15 16:17:45

    3.5 From war to religion. Three Judas were stunned by Christ's gaze, and two attempted to prove their innocence. Finally, the theme is pulled back to anti-war in the scream of Judas's pain. The shots are beautiful and accurate, trying to extract power from static situations. The appearance of Sotnikov, who symbolizes Christ, is like a slow zoom-in, from which you can see the rhythm of the director's technique. It's a pity that non-believers like me can't be deeply...

  • Eloise 2023-09-08 21:33:36

    Russia exhibition is the biggest bright. 4.5/5. Shepichenko's own posthumous works, which were not screened together with his husband's "Go See Yourself", probably belonged to the tenderness of the curator...Using oppressive close-ups and sound effects, no, using bullets, snow, branches , charcoal fire, even the face of others, sculpting the face of a saint, the sudden light when praying in the middle of the night, just like Bergman's technique, the secret of divinity resides in a face of...

  • Jessika 2023-08-16 23:08:51

    Four point five. The beauty of this lens is oriental. I think Larissa created a barren lens aesthetic. It is extremely peaceful and violent; meaning seems to be scattered throughout, but because of the peaceful and violent conflict of the image layers, it has long since disappeared with the snow, the lost focus, the violent brushing of the branches, and the swaying and outstretching towards the camera. To zoom in is to enter the void of the universe. The essence is here. The essence of...

  • Malvina 2023-08-05 02:31:06

    The images of the two characters are very good, and the scene is particularly impressive. The gallows are too high for the little girl to reach. The German officer is very considerate and takes a box as a footrest and helps her to step on it. Carefully adjusting the noose to the best position... that's...

  • Adonis 2023-07-29 00:51:01

    A great film based on Bekov's mediocre novel, which "sublimates" a vulgar political sermon into a Christian dirge. Schnittke...

  • Ernest 2023-06-26 21:47:34

    Reminiscent of the film The Great Phantom, it focuses on depicting the hearts of the characters and their relationships. The front is good, but it still feels like it's over too...

  • Linnie 2023-06-25 03:57:55

    Maybe only the Russians have the position to take the anti-German Red Army soldiers as Jesus. The snow is as hard as the desert, and when you lean on it, your head will stick to a tree! Judas' final loneliness and despair was shocking. The Russian traitor turned to the Stalker crew and it was still the same...

  • Alice 2023-06-16 06:09:41

    There is a question on Zhihu that impressed me a lot. I asked what would happen if the Soviet Union filmed "Saving Private Ryan". There was a comment at the bottom. It had already been filmed, and it was called "Ivan's Childhood". If you ask what would happen if the Soviets made "1917", you can probably answer...

  • Garnett 2023-06-15 17:24:08

    #Russian Collectible Film Festival 2021# The restored version, because it is real, it is heartbreaking. The play has a high degree of solid completion, shocking and terrifying. It won the Golden Bear Award at the 1977 Berlin Film Festival. It is a World War II anti-fascist film with a strong religious meaning. The climax of the final gallows is like Jesus being nailed to the cross. When Good Friday coincides with the death day of the martyrs, when the Nazi magic cave becomes the ultimate...

Extended Reading

The Ascent quotes

  • Sotnikov: [Imprisoned, Sotnikov and Rybak are arguing whether to speak with Germans or not] We're soldiers. Soldiers. Don't crawl in shit. You'll never wash it off.

    Rybak: So then, to the grave - to feed the worms. Right?

    Sotnikov: That's not the worst that could happen. No. That's not what I'm talking about. Now I understand. I understand. The important thing is to be true to yourself.

    Rybak: Fool! You're a fool, Sotnikov. You graduated from the institute for nothing. I want to live! To live! To kill those bastards! Understand? I'm the soldier. And you're a corpse. All you've got left is your stubbornness - your principles!

    Sotnikov: Then go, go on living - without a conscience. It can be done.

  • Portnov, the Nazi interrogator: You want to save the woman without giving up anything? That won't work. You'll have to trouble your conscience. One way or the other, you'll have to. There's no way out. None.

    Sotnikov: I won't betray anyone. Not anyone. There are things more important than one's own hide.

    Portnov, the Nazi interrogator: [laughs] Where? What is it? What's it made of? That's nonsense. We're mortal. With death, everything ends for up, all of life. The entire world. It's not worth it. For what? As an example for future generations? But you won't have a heroic death, either. You won't just die. You'll croak like a traitor. And if you won't tell, someone else will. And we'll write it off to you. Understand?

    Sotnikov: Scum. Human scum.