-
Angie 2022-04-23 07:03:27
Open pastures and fenced arable fields show the opposition between nature and culture in Westerns. Shane recognizes the value of traditional American family, not power and money, which is the only difference between him and his rival Wilson. Westerners will promote the development of civilization out of the consideration of personal honor code, and the generation of this honor code seems to be existential. Shane is a lone, stable man of integrity who takes actions because society is powerless...
-
Alphonso 2022-04-22 07:01:42
1. How hardworking and brave the American people have been. 2. A bad person who wants to be a good person is always cute, and a good person who wants to be a bad person is always hateful. 3. The hostess was very impressed by the son's words: one day he will leave, if you like him too much, you will be...
-
Gretchen 2022-04-22 07:01:42
This is exactly the same plot as Eastwood has a movie, what the...
-
Jazmin 2022-04-22 07:01:42
The film is too long, is the western slow life? Is the iron man tender? Didn't feel it! Unfeeling...
-
Keith 2022-04-22 07:01:42
It's good-looking, and the plot is more exciting. This can be regarded as a classic work of the golden age of early Western...
-
Jean 2022-04-22 07:01:42
A classic western, highly enjoyable to watch, but the plot is a little simpler. Chinese people like to watch martial arts films because they satisfy our desire to punish evil and promote good; while Americans like to watch Western films, probably because they show their pioneering and enterprising...
-
Brittany 2022-04-22 07:01:42
Very comfortable looking western cowboy piece. The plot pushes the plausible, bully too much bully to resist. Alan Ladd acted very well, and he was handsome and charming when he appeared. Classic lines: Can't break the mould. There's no going back. Right or wrong, it's a brand. Brand...
-
Gracie 2022-04-22 07:01:42
The contradictions within civilization are no less than the primitive contradictions between civilization and barbarism. Fences and mud, faithful dogs and wild horses, distant mountains and black mountains, contrasts are everywhere. The photographer also tries his best to make group and emotional hints through the comparison of large and small scenes, which is very...
-
Chadd 2022-04-22 07:01:42
Home-consciousness; eras fading; cowboys have nowhere to go. The two things that impressed me the most: the change of viewpoints when Sean and Starrett were fighting and the atmosphere created by the rapid switching of scenes; the farewell of Sean and the boy Joey at the end, the end of the "killing era", the failure of the cowboy adaptation , a post-allegorical farewell to American territorial...
-
Alayna 2022-04-22 07:01:42
Patch for Uncle Wolf. Looking at the movies of that era in this era, it is indeed a bit old and not attractive enough... But classics are classics after all, I can't help but think of the movie "Dancing With Wolves", and pay tribute to the classic "Wolverine" again...
Shane Comments
-
Marian Starrett: You're both out of your senses. This isn't worth a life, anybody's life. What are you fighting for? This shack, this little piece of ground, and nothing but work, work, work? I'm sick of it. I'm sick of trouble. Joe, let's move. Let's go on. Please!
Joe Starrett: Marion, don't say that. That ain't the truth. You love this place more than me.
Marian Starrett: Not anymore.
Joe Starrett: Even if that was the truth, it wouldn't change things.
-
Marian Starrett: You were through with gun-fighting?
Shane: I changed my mind.
Marian Starrett: [softly] Are you doing this just for me?
Shane: For you, Marion... for Joe, and little Joe.
Marian Starrett: Then we'll never see you again?
Shane: Never's a long time, Marian.
[looks at Joe, who he knocked out]
Marian Starrett: Tell him... tell him I was sorry.
Shane: No need to tell him that.