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Leta 2022-03-18 09:01:05
The little boy is so...
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Idella 2022-03-17 09:01:05
8 points, the killing has stopped, time cannot go back, right and wrong are just a sign. Boy, you go home now and tell your mother that there will never be gunshots in the valley again. The classic lines of "Wolverine 3" are derived from this movie. There is not much difference in watching movies now, mainly because of the high ranking of...
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Rasheed 2022-03-17 09:01:05
Very typified westerns, a series of binary oppositions, the male protagonist is a fringe who wanders between the two, a real "ranger". The logic of the villain is also presented, letting people see that in the final analysis, this is a conflict between advanced productivity and backward productivity in the process of upgrading the livestock industry from nomadic to captivity. The narrative is wonderful, constantly paving the way for conflicts, hinting at the hero's skill, creating an...
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Oma 2022-03-16 09:01:05
Gunfighter (not cowboy) tries to integrate into the life of a homesteader. Whoever destroys this life must disappear, even the heroes of the West. It seems to be the first time a western movie lamented the end of the wild west legend. Technicolor made mud in the clean western towns in black and white films. These mud and the sting of spurs were all taken to his westerns by Leonne. The Source of Swordsmen in Shuangqi...
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Jettie 2022-03-16 09:01:05
Works between traditional westerns and modified anti-westerns ("Noon" in 1952 opened the trend of the latter). The film has eye-catching scenery photography (actual shooting on location) and a beautiful theme soundtrack, but the rhythm is slow. There are three main differences in the play from the previous classic westerns: 1. The tradition of extrajudicial heroes that "come from the wilderness and return to the wilderness" and to save others and self-exile as their mission is opened (after the...
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Dejah 2022-03-15 09:01:05
Another variation of the western film, the frustrated wandering cowboy tries to integrate into the rural life. This life is broken by the brutal cowboy. His last fight is a farewell to the past and a strong belonging to his own identity. The movie is more like a picture of rural life in the west. Unlike the desert scenery in the previous western movies, the characters always live in no fixed place and rob and kill. Here is a more tranquil rural scene, with creeks, financial resources,...
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Obie 2022-03-15 09:01:05
The introduction of the little boy’s perspective plays a key role-the little boy is the direct and only witness in the hand-to-hand combat and gunfighting in the bar. It is consistent with the beginning of the movie, where the little boy sees Shane through the antlers, and also agrees with Shane: You are a person who is good at observing, and echoes. More importantly, we enter a kind of infinite worship of Shane male god through the child's perspective=camera, the image of Shane is highlighted,...
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Linnea 2022-03-14 14:12:24
Coming for "Wolverine...
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Letha 2022-01-09 08:01:07
Shane is like a hero in a martial arts novel with two ribs piercing and pulling a knife to help. He is a very romantic and idealized character. As a master of marksmanship, no one knows where he comes from (no one asks). With a wave of his sleeves, he quietly disappeared to the horizon. No wonder the protagonist's family is hopelessly in love with him, regardless of gender....
Shane Comments
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Marian Starrett: You're both out of your senses. This isn't worth a life, anybody's life. What are you fighting for? This shack, this little piece of ground, and nothing but work, work, work? I'm sick of it. I'm sick of trouble. Joe, let's move. Let's go on. Please!
Joe Starrett: Marion, don't say that. That ain't the truth. You love this place more than me.
Marian Starrett: Not anymore.
Joe Starrett: Even if that was the truth, it wouldn't change things.
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Marian Starrett: You were through with gun-fighting?
Shane: I changed my mind.
Marian Starrett: [softly] Are you doing this just for me?
Shane: For you, Marion... for Joe, and little Joe.
Marian Starrett: Then we'll never see you again?
Shane: Never's a long time, Marian.
[looks at Joe, who he knocked out]
Marian Starrett: Tell him... tell him I was sorry.
Shane: No need to tell him that.