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Laila 2023-07-06 17:07:03
American typical...
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Chase 2022-04-24 07:01:17
The child's father and the male lead fight very hard. Simple, natural, good-looking, the plot is reasonable, the performance is good but a little exaggerated, the child's mother is a little exaggerated, and the action scenes are a little fake. The view is gorgeous. Costume lines are good. The core things are good, democracy, justice. The protagonist is attractive. He looks good, dresses well, rides well, and shoots...
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Juston 2022-04-24 07:01:17
Classic Western movie example: The Western Ranger came to a newly established community. Although his every move reflected a sense of distance from the community, he was still righteous in the end and helped the community eliminate the threat of brutal violence. Children's Perspective: Joy's plasticity between the free and unruly values represented by the Ranger and the orderly and gentle values of a small family. At the same time, seeing the Ranger from the child's point of view...
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Amelia 2022-04-24 07:01:17
Hollywood type movie Western Zhang Mazi: "Huang Shilang, you have lived a long time, your era has passed" Huang Shilang: "Oh? My era has passed? What about yours? Zhang Mazi" Zhang Mazi: "The difference is that I know this." Well, to be honest, I've seen so many westerns and talked about so much in the book. When I watch this film, it feels like a spoiler, oh , it's the hero, oh, it's the community, oh, it's the American dream of honest labor, oh, it's the bully, the symbols are so familiar...
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Rosalee 2022-04-24 07:01:17
The dialogue between Ryker and Joe is eloquent about the difference between aggression and development, and also involves the maintenance of the legal system and the desire for justice. However, in the wilderness, only guns, gunpowder, bullets and force have the right to speak. It's interesting that Shane is not a sheriff but a rogue, the ideal embodiment of a powerful force of justice anyway. The final cry and the blunt hymn to rights at the funeral were all too...
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Golden 2022-04-24 07:01:17
Super classic, the picture is very beautiful. Jean Arthur's last...
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Isac 2022-04-24 07:01:17
suffused with an intense symbolic meaning: the opposition of "wilderness and civilisation". "there's no living with killing" a tribute to the prime time of western...
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Deondre 2022-04-24 07:01:17
45 out of 100 AFI Centennials. An understated and timeless western...
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Vita 2022-04-24 07:01:17
From the current perspective, the plot seems bloated, but fortunately the scenery is picturesque. And the feelings of love and etiquette are more like Chinese-style...
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Summer 2022-04-24 07:01:17
The ending is moving, with Shane on horseback drifting away amid the boy's cries. His departure was almost doomed from the start, there was no place for him in this wilderness and civilization. Alan Ladd is great, but the boy...I think it's bad anyway, I get irritated when I see him...I don't like staring at the hero through the eyes of a child this...
Shane Comments
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Marian Starrett: You're both out of your senses. This isn't worth a life, anybody's life. What are you fighting for? This shack, this little piece of ground, and nothing but work, work, work? I'm sick of it. I'm sick of trouble. Joe, let's move. Let's go on. Please!
Joe Starrett: Marion, don't say that. That ain't the truth. You love this place more than me.
Marian Starrett: Not anymore.
Joe Starrett: Even if that was the truth, it wouldn't change things.
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Marian Starrett: You were through with gun-fighting?
Shane: I changed my mind.
Marian Starrett: [softly] Are you doing this just for me?
Shane: For you, Marion... for Joe, and little Joe.
Marian Starrett: Then we'll never see you again?
Shane: Never's a long time, Marian.
[looks at Joe, who he knocked out]
Marian Starrett: Tell him... tell him I was sorry.
Shane: No need to tell him that.