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Chase 2022-12-27 02:23:57
Italian Realism, D9, Rossellini, 1945, subtitles that hurt. Didn't God see it? How can God not see? You always ask God if he sees it. Have you ever thought about whether what you are doing is in line with the path that God has pointed...
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Violette 2022-12-19 02:49:42
Perhaps the real significance of the film is that it may be the first European drama film with a coherent plot but no central characters and protagonists, with a scatter perspective and a drifting off-screen perspective. The central intent of Neorealism was initiated to differentiate between Griffith-style Hollywood narratives and Eisenstein-style revolutionary...
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Carmine 2022-12-16 07:51:50
The pioneering work of Italian neorealism, depicting the heroic deeds of the Italian underground party against fascism under the trauma of war. Whether it is the authenticity of the film technique or the sociality wrapped in the subject, it has a practical inspiration for the entire film history. There is a scene in the film where two sheep are slaughtered, and seeing there is already a sign of the ending. The representation of this image is quite interesting. However, the story line is still a...
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Raphael 2022-11-26 07:50:54
Combining fact and fiction, the narrative is a perfect fusion of reality and artistic creation, freely wandering between the realism of a documentary and the dramatic footage of a...
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Damian 2022-10-02 19:06:27
We only have to kill, kill, hatred, hatred, hatred that grows from the grave, sooner or later we will be torn apart by...
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Johnnie 2022-09-13 23:33:48
After seeing the film, Ingrid Bergman sent a letter to Rossellini to express her admiration: "If you need someone who can speak fluent English, who hasn't forgotten the German she has learned, who can speak some French and a Swedish actress who can only say 'I love you' in Italian, then I'm ready to go make a movie with...
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Rhiannon 2022-06-13 23:41:58
It is a very realistic work, which captures the hardships of the Italian people during the Nazi period, and achieves a deafening effect through the priest's...
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Russell 2022-06-13 21:02:22
①The script was thin and the characters were facialized ②The two statues in the handicraft store that looked at each other made the priest feel embarrassed no matter how they were placed ③After witnessing the shooting of the priest, the children left in grief and indignation. But people have ④ far-reaching influence on domestic red films, familiar formula, familiar...
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Josefa 2022-06-13 20:16:05
War is cruel! It was not easy to live in those days! A ruthless woman who betrayed her boyfriend for a...
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Alexander 2022-06-13 19:55:57
The meaning of film as a human art, Rossellini has completed a lively and pathetic expression, looking directly at the dark and full of hope; it may be an accident, but when the tragedy happens, the film seems to be unstable, as if in front of the camera. things respond; the shots are tender and warm, both realistic and brilliantly stylized, and in the end, both body and soul are...
Rome, Open City Comments
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Thurman 2022-10-01 22:30:35
It's not skill, it's style
The chattering Italian, the occasional English subtitles are mixed with the occasional Chinese subtitles~~ I seriously doubt that the subtitles are created by translation software. Arrest is translated into "accusation", and confession is translated into "accusation"... The Chinese and English...
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Jane 2022-06-13 21:10:32
[Film Review] Rome, Open City (1945) 8.6/10
In Roberto Rossellini's neorealism pièce-de-résistance ROME, OPEN CITY, melodrama and cinéma-vérité are magically blended together to elicit oceanic amazement and pathos, it is a panegyric of ordinary Italian citizens' bravery and heroism under Nazi occupation, and in an exceptional note, religious...
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Marina Mari: Yes. I've had lovers. Of course. What was I supposed to do? How do you think I bought all the furniture, my clothes, everything? With my pay? It's barely enough for stockings and cigarettes. I've gotten by like every other woman. That's life.
Giorgio Manfredi aka Luigi Ferraris: Life is what we want it to be.
Marina Mari: Words! Life is filthy and brutal.
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Marina Mari: I know what poverty is and it scares me. Sure, I could have married a streetcar driver and be starving to death today - me, my children and him.
Giorgio Manfredi aka Luigi Ferraris: Poor Marina. You think happiness means a fancy apartment, nice clothes, a maid, and rich lovers?
Marina Mari: If you'd really loved me, you'd have changed me. But you're just like all the others - no, worse. At least they don't preach to me.
Giorgio Manfredi aka Luigi Ferraris: You're right. Forgive me.
Director: Roberto Rossellini
Language: Italian,German,Latin Release date: October 8, 1945