Quo Vadis, Aida? Comments

Virgie 2022-03-25 09:01:19

3.5, too neat, the middle section changed from "translator's story" to "mother's story", and the tension was lost. (The metascore has a score of...

Anais 2022-03-25 09:01:19

[3 and a half stars] Children are riding bicycles and playing football outside the room, and men are holding their heads quietly in the room, waiting for the "blockbuster" of several guns poking in from the window, the creepiest scene I've seen so far this year, The trauma of war is the saddest, bar none. The more the heroine looks, the more she feels that she has the temperament of Mrs. Kern, and she is not inferior to...

Mandy 2022-03-25 09:01:19

3.5, the story is relatively simple, the history behind it should be understood more, the filming is very tight, the rhythm is handled well, it is still a problem with "Persian Language Lesson", it is not good, the front should be more suffocating , but I prefer this one from a...

Jany 2022-03-25 09:01:19

It's so heart-wrenching, it's a movie like "The Boy in the Striped Pajamas" that I can't bear to watch a second time. The tearing, entanglement and inability of Ada in it, lead the audience to despair step by step. It is hard to imagine at least two such horrific genocides in 1994-95, one in Rwanda ("Hotel Rwanda") and the other in Srebrenica. Maybe there are more human tragedies that I don't know about, and that's the power of the medium of...

Levi 2022-03-25 09:01:19

#TIFF20 I lowered my head to examine the cowardice in front of...

Joana 2022-03-25 09:01:19

too painful to...

Adolf 2022-03-25 09:01:19

7.8 The second part of Venice looked at the massacre from a female perspective. Both women were actually betrayed by the "authority" they trusted. As a teleporter, Ada was more like a female tool person. In the film, women produced, and the UN female soldiers were both. Treated by tool people to varying degrees, all women are eventually blinded, and you can't even see...

Collin 2022-03-20 09:02:36

At first I thought cheesy that the hostess would be like the manager of the Rwanda Hotel, cooperating with the United Nations to rescue a large number of refugees; half of the time I saw the hostess, I optimistically predicted that the student the hostess would encounter by chance would be "Serbian Schindler". I left the hostess’s family; even when the gunfire rang out, I still had a fluke, that the youngest son of Naobu survived miraculously like the little girl in Dear Comrades; until the...

Daryl 2022-03-20 09:02:36

The female perspective in the context of the 8/10 war is narrated from the purest protection of the family in the primitive emotions. The camera is aimed at Ida for two-thirds of the time, which is completely close to the anxiety and anxiety of the characters, and it also makes people moments. In a state of tension and anxiety, it seems that the breathing and heartbeat of the person in the film can be heard at a certain moment. There is basically no waste in the whole film, and the atmosphere...

Bethany 2022-03-20 09:02:36

For the killers, the dead are just numbers, sometimes not even numbers. For the families of the killed, it is a hole in the heart. Last look, what is the point of everything? The killer occupied his old home, and all the offspring danced together, as if nothing had happened. After life has returned to a kind of mundane trivialities, people who have been asking questions are like patients. But how could those people forget...