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Karlie 2022-03-23 09:03:33
Not the fear of death, but the fear of being alone. Trapped in a claustrophobic space, we have a hundred percent anxiety, and our hearts have long since turned into a pool of black water in despair. All disappeared, and only you are left. Can you think of anything more terrifying than this? The film captures the horror of loneliness in a creepy way. Everyone is lonely, and the existence of a single individual is not as good as a ghost. It is really...
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Layla 2022-03-23 09:03:33
4.5 The secret room is the hub, the general brain, the entity that can rule out the irresistibility of time, the enchantment, the curse that blocks the mind, the choice forced by shock, the consciousness, the doomsday leader who controls the no-man’s land, and the The time that distinguishes reality is the holy hand that carves life, the simple concept of possession, the ghost, the ubiquitous communication without the medium, the death that cannot change the status quo, the ghost, the palpable...
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Letha 2022-03-21 09:03:30
The extremes of yin and yang such as people and ghosts are very similar in Kurosawa Kiyoshi's powerful [loop]. Before death, people are lost like ghosts and shadows: it is no wonder that the more closely networked in the Yangjie, the more lonely people are, but after death they become only ghosts that are always lonely. Seeing the futile red frame like an autism epidemic, Kurosawa couldn't help shouting "Save the ghosts". Fortunately, the ending gives a tendency to reconcile between humans and...
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Morton 2022-03-21 09:03:30
It is possible to experience the fear of loneliness in a person's life. The wall behind me was about to be pushed against such a vaguely shaped mark. Michi thought that the shadow on the wall was Yabe-kun's part, and Suke けて's voice came from the earphone as if it was attached to the eardrum. This kind of sound was really annoying. The red frame stuck with the red tape on the door has a kind of silent oppression. The wall of the room of the man who shot his head with a gun is full of help. The...
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Green 2022-03-21 09:03:30
My Top 15 Horror Movies. 1. The Japanese-style horrors are all overturned by Kurosawa Kiyoshi. The fear that slowly penetrates into the bone marrow has the energy that permeates the soul. 2. Simple and astonishing settings: network communication, full of souls, lonely ghosts. 3. The fate of modern people's eternal loneliness, there is only a thin line between people and ghosts. 4. Apocalyptic deserted city, red tape, shadow stains. 5. Use lighting, light fog, and curtains to shape the ghost...
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Harmon 2022-03-21 09:03:30
I really want to watch it in a movie theater, the texture is so good that it can fly. I dare not say that I understand the film, but the pleasure of watching Kiyoshi Kurosawa's film is that it provides me with a unique direction and perspective to think about the self-analysis of the mysticism, the apocalypse environment, and other aspects of the boundary between life and death. So "Circuit" is undoubtedly an extremely advanced...
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Francisco 2022-03-21 09:03:30
Kurosawa took the metaphor of the end of the world to the extreme, interpersonal estrangement, loneliness and desolation, and pessimism. An example of content over...
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Laurianne 2022-03-21 09:03:30
Such a low score is really depressing. I revisited the grudge and found that I was not afraid at all, and I was not afraid of Miike-sensei's pain series. As a result, this became the No.1 Japanese horror film in my mind. The red frame entrance and exit settings are excellent, and it has something that ordinary horror films can't match. Existentialist postmodern literariness makes me...
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Murray 2022-03-21 09:03:30
There are a few scenes in the middle that are really good. It's not the kind of shock that can be reacted immediately. It's scary after the fact, and the point is that it was filmed without spending any money, but the scene with the woman in black was still a little scary. The main thing is the feeling of oppression that is pushing forward, the black shadow that melts on the wall, "too close and you will die, too far apart and you will come together", the bright red tape, "I am not an...
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Hester 2022-03-20 09:03:09
Virtual Death, disappearing is a traditional art in the post-Baudrillard era. People are forced to upload their bodies and relationships to the Internet. Ghosts are not programs, but the screens themselves that are sucked into the virtual world. These people are still physical, and in the process of flashing, they keep silently saying "help". People are blocked and alienated by modern space. The man in the greenhouse and the intermediary of the inlaid TV screen are two of the film's most famous...
Pulse Comments
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Santos 2022-03-18 08:01:01
The doomsday feeling is very good
After more than ten years, I revisited this controversial classic by Kurosawa Kiyoshi, only to realize that this is not a horror film like "Midnight Bell", although both draw on the same type of film methods, through daily electronic media. to convey the horror atmosphere. After many years, I...
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Clarabelle 2022-03-18 08:01:01
If you get close, you will die, if you are too far, you will get close
The black image on the wall The vaporized afterimage of the nuclear explosion site seems to be the critical surface between this side and the other side, or the traces/embers of the proof that once existed, pointing to a kind of emptiness, a kind of absence but trying to be remembered of...
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Yoshizaki: The spirit, or consciousness, the soul, whatever you want to call it, it turns out the realm they inhabit has a finite capacity. Whether that capacity accommodates billions or trillions, eventually it will run out of space. Once it's overflowed to the brim, it's got to overflow somehow, somewhere, but where? The souls have no choices but to ooze into another realm, that is to say our world. Maybe at first it started with something really simple, once that realm reached critical mass, any device would've sufficed, thrown together with the means and materials at hand. That's how I see it.
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Yoshizaki: Through that process it spread around the world. But now they're no longer the faint presence they began as. You saw one yourself.
Ryosuke Kawashima: I don't believe your stories.
Yoshizaki: Right, sorry, it's all hypothetical.