Pulse Comments

Rozella 2022-04-21 09:03:49

Basically different from the usual frightening fright films, Kiyoshi Kurosawa's horror films have a much more advanced audio-visual language. When looking outwards, it is a slow and infiltrating cold atmosphere produced by scheduling, the kind that puts the audience in the space. Claustrophobia, looking inward is the story logic spread layer by layer, and the clues are placed one by one. These converge to achieve the self-consistency and core expression of the story. In the eyes of sociologist...

Helen 2022-04-21 09:03:49

Three and a half. I don't like the rhythm very much, but the shots really have nothing to say. The atmosphere is too weird and scary. That red tape door will become a shadow for a lifetime. ....

Dannie 2022-04-21 09:03:49

There is only a thin line between a lonely human being and a fool, and Kurosawa Kiyoshi's apocalyptic atmosphere has reached its peak this time, with dark tones, industrial noise, and screams of human voices. PS: Kumiko Aso at 20+ is so cute that the director doesn't want her to...

Christine 2022-04-21 09:03:49

Kurosawa uses alternate light and dark shots to present a sense of loneliness, focusing on allusions and reality for reflection; in a narrow space and a secluded environment, everyone lives alone. The word "help" confirms that humans and ghosts are not separate, both are the same, they are equally afraid of loneliness, and the ghosts wandering around are craving for a warmth. The empty alleys and the downed planes are very doomsday. #The living and the world are getting farther and farther, but...

Nikita 2022-04-21 09:03:49

Typical East Asian ghost film, doubts at the turn of the century, has the Internet really improved people's loneliness, people are lonely, and ghosts are lonely...

Caden 2022-04-21 09:03:49

The best horror movie ever! Plastic film, shadow fragments, jumping from water tank, female ghost in slow motion, ghost calling for help, hugging screen. Emotional images, human alienation, "seeing" is contagion, the core of existentialism in the Internet age. Everyone is making secret rooms and turning into ghosts. Like experimental particles, human relationships are endless cycles: too close and they die, too far and they come closer. The apocalyptic feeling in the second half proves that the...

Ophelia 2022-04-21 09:03:49

How to so skillfully express abstract concepts with specific scenes one by one? Kiyoshi Kurosawa is a master of semiotics, and the index is so clever that I feel like I haven't finished reading it no matter how I explain it. Like glass, the Internet seems to connect two worlds, but it is actually a barrier. The scenes were carefully selected, and all the daily scenes were shot with a dark feeling. I, Kumiko, don't know whether to say that she is too rational, too indifferent or too...

Reanna 2022-03-27 09:01:22

Kiyoshi Kurosawa’s space layout features: white plastic film, the terrifying and oppressive sense of frosted glass, the supernatural power symbolized by the constantly fluttering curtains and the strong light outside the window, the unreality of the abandoned factory, and the alienated...

Isobel 2022-03-26 09:01:14

8.5, full of ghosts, the sense of horror created by ghosts is extremely infiltrating, the ghosts that slowly move to the screen by jumping are definitely a horror section of film history, the female corpse that suddenly jumped from the high-rise building, directly hit the high-rise building. A crashed plane, a picture of apocalyptic desperation. The closed space made of red tape cannot isolate the ghosts from the invasion of the world. What we focus on is the emptiness and alienation that urban...

Pedro 2022-03-26 09:01:14

The atmosphere in the front is very good, and the speaker cavity in the...