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Jaeden 2022-03-18 09:01:10
The pace is too slow, but the blurry image is more terrifying than the monsters and monsters on the American...
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Akeem 2022-03-18 08:01:01
In each scene, the background is shot very deep, so that when the lens rotates or moves, sometimes adding a reverse shot can construct the entire scene environment, and the characters are mostly distant scenes, so that when the environment subtly affects the When the characters act on the viewer's mind, coupled with the fading dark yellow tone full of noise, the depressing and terrifying atmosphere of the whole film is far greater than those of the shocking...
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Green 2022-03-18 08:01:01
I feel that what Kurosawa Qing has been doing is a thankless task of mixing and matching genres. As far as the effect is concerned, the rhythm that belongs to him has been found long ago, but in terms of the mass base, it is obviously far less than Hou Hsiao-hsien and Apichatpong. good. The reason why "Cinebook" insists on supporting it is probably that its unflattering attitude is worthy of...
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Chris 2022-03-18 08:01:01
Some of Kurosawa Kiyoshi's best films were left at the end of the last century and the beginning of this century, and the texture of the film just suited the shadows in his...
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Bettie 2022-03-18 08:01:01
"If you get too close, you will die, if you are too far, you will come close." The isolation and isolation between people and the barrenness and indifference of the soul are what Kurosawa-san has always wanted to express. It seems like a rebirth; the space itself has a sense of devouring and voyeurism, and it is creepy enough to use light and video tape media to squeeze/build a concrete...
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Sincere 2022-03-18 08:01:01
I like to use a partition, and pour tea through the window curtain. There is a lot of moving mirrors, and the aerial scene takes priority over the people. Many people and different lights overlap, symbolizing strange power. The tone is gloomy, and the figures are taken upside down and the building is taken in, which is dilapidated and in disrepair. Now it seems that the age-old technology is coupled with the uncertainty of the new things at that time, which intensifies the fear. Technology has...
Pulse Comments
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Mazie 2022-03-18 08:01:01
When you need a special movie viewing experience, it's really important to choose a good movie
I didn't finish it, I fell asleep after an hour.
According to the viewing experience, one star. According to the value of the film, four stars (almost).
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Antonio 2022-03-18 08:01:01
lonely to death
The first time I watched "The Loop", I watched it for 20 minutes and then closed it. Not only did I feel that the picture quality was rough, the story pace was extremely slow, and even the shooting techniques felt amateurish.
A few years later, I re-downloaded the Blu-ray version. After this review,...
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Doroningen: Tokyo: Missing Sakai Mitsuo, Tokyo: Missing Yamazaki Naoko, Kanagawa: Missing Hirayama Michio, Kanagawa: Missing Kauahara Takumi, Saitama: Missing Tomioka Shigeki, Tokyo: Missing Yoshida Tomoko, Tokyo: Missing Nakajima Kumi, Kanagawa: Missing Kitaoka Eri, Tokyo: Missing Fukuda Tatsuya.
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Harue Karasawa: I've always wondered what it was like to die, from when I was really little. I was always alone.
Ryosuke Kawashima: Any parents or family?
Harue Karasawa: Sure, but they're irrelevant.
Ryosuke Kawashima: Right.
Harue Karasawa: That after death, you live happily with everyone over there.
Ryosuke Kawashima: Can we stop talking about this?
Harue Karasawa: But it may be true.
Ryosuke Kawashima: Sure, but...
Harue Karasawa: Then in high school it dawned on me, you might be all alone after death too.
Ryosuke Kawashima: There's no way to know, how could you know?
Harue Karasawa: The idea was so terrifying, I couldn't even bear it, that nothing changes with death, just right now, forever. Is that what becoming a ghost is about?