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Isac 2022-03-18 09:01:05
It's basically an audiovisual language textbook movie. Bresson’s goal is very straightforward. It is to prevent the actors from holding the nose of the film, and then use an extremely simplified technique to make the audience pay attention to the narration and the picture, almost drinking boiled water to observe the psychological changes of a person, and then rise to the human nature itself. Self-destruction and redemption. Maybe it’s too much emphasis on showing off those stealing techniques....
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Alden 2022-03-18 09:01:05
1. Minimalist style, exquisite and powerful narrative, camera, scene, lines and rhythm; 2. The use of space, the embellishment of scene switching and psychological monologue constitute a special narrative space, which is coherent, compact, oppressive and attractive; 3. Performing restraint and restraint. The "sluggish" expressions and slightly clumsy expressions of non-professional actors make the movie more temperament and characteristic, and firmly hold the core; 4. The change of...
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Francisca 2022-03-17 09:01:06
Bresson is really amazing. The theft is not only portrayed so elegantly and skillfully, but also has a sense of sacredness (especially when the music is flying when you encounter the theft teacher), the whole process is simple and smooth without pretentiousness. But carefully planned everywhere. The emptiness, boring, and indifferent life is finally redeemed by love, and the angelic Jenny and the protagonist are leaning on each other. Look again, look...
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Frances 2022-03-17 09:01:06
This film is what Lao Ta calls "real observation of life". The director's mastery of the psychological changes of a nihilist is quite exquisite and accurate. At the same time, the expressions and movements of the pickpocket are all delicate and true (in my opinion, the expressionless performance is (Appropriately), comparing "pa" to "fingertip ballet" is not only an affirmation of the aesthetics of this action, but also an affirmation of Bresson himself. Other movies of the same type are...
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Garland 2022-03-16 09:01:06
When you don’t understand it, you can’t read it for nothing. This kind of filming method that removes all the details and leaves only the core plot requires the director to have high requirements and confidence in his own...
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Bernadette 2022-03-16 09:01:06
It was carved out of a mold like the figures in "Notes on the Basement", humble and extremely arrogant, indifferent but very delicate. The interesting thing about this movie is that he is the only and unique narrator, and the camera acts as a commentator. After the first burglary, he was so complacent that he was immediately arrested; learned that his mother was seriously ill and cut to the bar to practice stealing... All these were the scenes cutting the young man delicately and calmly....
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Lynn 2022-03-15 09:01:05
The first Bresson. Unable to enter, very at a loss... / Swipe D→B+ twice. This time it looks a bit like the reverse "Country Priest". It's like a mental-physical-psychological loop. The most fascinating part is the middle section. Monologue and action are two forms of separate powers. Theft also invades the inner world from the external reality (the detailed posture of the sliding door is...
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Carson 2022-03-15 09:01:05
My day. What "most contemporary film"? Why should a beauty like a wooden thief? why? Can anyone explain this to me? Judging from the fact that the stealing footage is really beautiful, it's a 3 star star. The most important thing for a feature film is to tell a logically complete story. A great film can extend to all ages. If such a movie can be called a great one, how can you make "Twelve Angry Men" and "Tokyo Monogatari" so...
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Fredy 2022-03-14 14:12:26
Some movies are shot for the general public, some movies are shot for movie lovers, some movies are shot for filmmakers, and Bresson’s movies are shot for...
Pickpocket Comments
Extended Reading
Top cast
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Jeanne: I don't know. Perhaps everything has a reason.
Michel: Jeanne, are you that naïve?
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[last lines]
Michel: Oh, Jeanne, to reach you at last, what a strange path I had to take.