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Theodore 2022-03-26 09:01:05
Three brushes. 1. Ending with the beginning and end of the film itself, the symbols of the old film are constantly interspersed and reproduced (penis, Jesus, lamb, child, old man), Bergman kneads his sincerity and all kinds of past experiences into a rubbing mask. Resurrection boy, looking directly at the most real suffering and suffering of human inner emotions in the incoherent and deep dream. The screen that is intended to be a mirror is the entrance for the audience to enter the character's...
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Otha 2022-03-26 09:01:05
Abandoning the plot, the seventh seal still uses the road to attract people, and Fellini still uses the gorgeous scenes to attract people, but when there is nothing left, it is difficult to do. Tell us again: the film must have a shell and a lining. You can shut yourself up and shut the world out so you don't have to play any roles, make fake expressions and gestures. A person who is tired of the hypocritical world and chooses to shut himself off without a word is reminiscent of Birdman, and I...
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Halle 2022-03-26 09:01:05
Abandoning the plot, the seventh seal still uses the road to attract people, and Fellini still uses the gorgeous scenes to attract people, but when there is nothing left, it is difficult to do. Tell us again: the film must have a shell and a lining. You can shut yourself up and shut the world out so you don't have to play any roles, make fake expressions and gestures. A person who is tired of the hypocritical world and chooses to shut himself off without a word is reminiscent of Birdman, and I...
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Chandler 2022-03-26 09:01:05
Abandoning the plot, the seventh seal still uses the road to attract people, and Fellini still uses the gorgeous scenes to attract people, but when there is nothing left, it is difficult to do. Tell us again: the film must have a shell and a lining. You can shut yourself up and shut the world out so you don't have to play any roles, make fake expressions and gestures. A person who is tired of the hypocritical world and chooses to shut himself off without a word is reminiscent of Birdman, and I...
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Brittany 2022-03-25 09:01:08
After watching it I feel like I almost wasted most of my life watching some movies that are destined to be trash. How can such a film, decades later, still feel completely new, shocking, and...
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Eloy 2022-03-24 09:01:52
When I watched it, I said it was a "meta movie", but my companion said it was not like that. Although the camera in the last scene appeared directly, but thinking about it carefully, my companion's feeling seemed right. "Masquerade" is not just about a movie. A film with dialogue, contains something more...
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Max 2022-03-24 09:01:52
After watching it I feel like I almost wasted most of my life watching some movies that are destined to be trash. How can such a film, decades later, still feel completely new, shocking, and...
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Tyra 2022-03-24 09:01:52
Silence misleads people, I need to speak; speaking leads people astray, I must be silent. Bergman shares Borges on a philosophical level: a rush to get rid of his own work, the persona. I read the mask many times as a child, and then I read Foucault's book by chance, and suddenly found a superb summary of the verbal mask and the silent self: we must keep talking, as loud and persistent as this vague and deafening noise - even louder and longer than it, so that we can outwit when our voices...
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Amani 2022-03-23 09:01:54
Very painful viewing experience and difficult to evaluate. But I want to say, get rid of Freud, maybe Bergman really just wants to talk about the struggle and mutual devotion of different personalities in the same body, as well as the anger and fear that have nowhere to vent. ps. The 4-minute video poem is mentioned at the beginning of the film. I probably understand why Bergman envy the old tower, because the poetry and divinity he wants are free to grow in the works of the old tower, and...
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Elenor 2022-03-23 09:01:54
A film about film. Bergman wrote the script in the hospital when he was ill and was hospitalized. The theater position he held at the time and the pressure of work also made him think a lot about film and theater. Bergman originally conceived the title of "Cinematography", which was changed to "Persona" after the objection of Kenne Fant, the chairman of the Swedish Film Industry Association at the time. Therefore, the thinking and "experimental film"-style collage in "Masquerade" on the film...
Persona Comments
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Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?
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Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?
