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Dustin 2023-04-25 16:21:35
9. After watching the beginning, I thought it was the wrong movie. Is this Bergman? However, the content remains the...
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Darian 2023-03-20 02:27:52
2018SIFF Hengshan. The whole film is purely a scene of two women, and only one person speaks, which is too damn hard! Light and shadow create yin and yang. Obscure and moving, don't interpret it, read it after kneeling. Only beauty remains. I understand Alma so well. This time, the deleted scene where the director of the title was sold off is there. I love the Swedish actress smoking oh, it's totally different from the sultry look of French and Spanish. When the film was made, the director was m
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Colten 2023-02-06 13:19:24
So healing! The last time I watched such a healing movie was the first of "Female Addicts". It's almost a series with Lars Von Trier's films: Sex Addiction - Getting Married (Melancholia) - Having a Child (Masquerade) - Losing a Child (Antichrist). The fantasy duo of Fight Club and Mulholland Drive are also affected by This inspired...
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Kristoffer 2023-01-25 19:59:51
Bergman always uses simple materials and settings to deconstruct complex problems, both psychologically and sociologically. Rich images often represent the subconscious mind, representing emotions such as fear, worry, anger, and lust. Facial composition, with careful lighting, expressions and lines to convey the mental state and spiritual appeal of the characters, interspersed with surrealistic plots, a two-way recording of a dialogue, and precise use of technical techniques such as screen...
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Shanon 2023-01-22 12:54:26
Bergman said that he was tired of everyone reading the mask too much, so I don't read it, I can't cry again, there is only one sentence: the mask is not good-looking, but the mask is really...
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Jeanette 2023-01-18 11:01:21
The visualization of philosophical thinking, a large number of obscure dialogues, the emotions surging on the surface, the doubts in the depths of the spirit, a kind of emotional migration under the emotions-often exist in some fleeting moments of horror fantasy , made concrete by the camera, showing an unpredictable attraction. // PS. I have seen a lot of similar boring films, because I liked the director first, so I looked back at the works like a picture-this method is actually very good; in...
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Xzavier 2022-12-31 14:43:26
There is a kind of master: having super-first-class light and shadow and composition, which are the basic elements; choose a grand theme - death belief, self-parents, Balabala, and then preset a mystery as the tone of X; on the basis of the above-mentioned mystery, use some blurred lenses , some literary dialogues, and some castrated clips, will completely dissolve the mystery; the industry needs masters, and the laity needs awe, so the master was born. Everyone can be a...
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Shaina 2022-11-27 05:27:47
It is as simple as an idealized model, placing people in a closed system to discuss. However, the topics discussed are profound and varied. The re-watching of the Beijing Film Festival in 2018 is completely a horror film, and the influence on Lynch can be seen. It represents the depth that the film can reach, and it can be called the greatest in film history! After watching it, you will feel that most of the movies you have seen before are not worth...
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Hollie 2022-10-31 01:11:57
"Unconsciously replicated lies make man regard himself as the other, death as life, agreement as difference, hypocrisy as truth, silence as discourse." The Nordic Expressionism-style mental distress, wave after wave of religious and philosophical questioning, and repeated exploration of the tension between the spiritual world and the external environment—“created a high degree of unity between documentary aesthetics and montage aesthetics and the overall aesthetic text of the film. A visual...
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Jordane 2022-10-19 23:26:51
A masterpiece that has remained avant-garde to this day. The projector rotates. News report. boy. face. "no, do not...
Persona Comments
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Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?
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Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?
