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Vita 2022-04-20 09:01:34
Kazan signe 1 film complexe plus que social qui se lit de différentes strates dans 1 période compliquée où la lutte conjugue avec la colère (sans doute pas celle des classes éclipsée de manière ambivalente). Du film de gangsters aux touches documentaires doté d'1 style néoréalisme au récit initiatique qui témoigne le passage à l'âge adulte de son héro assagi, Sur les quais nous laisse longtemps savourer non seulemt la performance de Brando mais aussi la singularité du regard de Kazan porté sur...
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Roxanne 2022-04-20 09:01:34
Re-watch, very interesting. This film can be used as a textbook for lighting and scenes, and the placement of the characters can be said to be great. Not to mention the excellent script and Malone's acting skills, it is really an unparalleled classic of American...
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Dell 2022-04-20 09:01:34
What happened behind the scenes in "The Piers" shouldn't overshadow its excellence, although there are not a few critics who see Elijah Kazan as justifying his previous actions. Based on true events, the chemistry between the realism and gangster genres is unmistakable. Marlon Brando's talent for using Methodism is undeniable, but the supporting cast of Lee Cobb, Carl Molden, Rod Steiger, and actress Eva Marie Saint complement each other perfectly....
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Marcelle 2022-04-20 09:01:34
I've always hated Kazan, but I can't say why, but this work helped me figure it out: Kazan is a hypocritical moral supremacist who likes preaching rather than drama, which is somewhat similar to John Ford . Through the protagonist played by Brando, this film shows on the screen the legitimacy of doing great good and small evil, even ignoring rules, abandoning principles and procedural justice, which is what I reject in terms of expression. In terms of expression, Kazan does not seem to care...
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Jean 2022-04-20 09:01:34
The main story is a common labor dispute story. Marlon Brando and Bernstein's music and editing have added a lot of points. The imagery of pigeons and eagles, the whistle sound and the actions of the two when Terry confessed to Edie, and finally The expression of Terry being beaten by the workers and the close-up of Terry on the pier are all classic works in film...
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Athena 2022-04-20 09:01:34
The idol's masterpiece when he was young plays...
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Adrien 2022-03-28 09:01:02
A film of Brando's classmates when they were young. I see a problem with the second half of the version. . . //After watching, the old film is really unbearable to look back on. ....
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Lewis 2022-03-28 09:01:02
....I can barely understand what Marlon Brando is...
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Kaitlyn 2022-03-28 09:01:02
Except for the beginning and the end of this movie, it's very gangster-like, especially in the middle part, I was angry with a gun to seek revenge. I was about to travel to Hong Kong and shoot with two machine guns. . . In other words, this film is really quite incomparable~ Trying to cut the story out of the social environment is already a cowardly attempt, and at the end, the story that is about to go to the red camp workers' movement is pressed back to become a power struggle in front of the...
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Micaela 2022-03-28 09:01:02
There are both good lines and good chapters: the meticulous portrayal of group consciousness (the first shot of the gun) is just as wonderful as the hymn of individual heroism. When Brando tells Edie the truth, the background is a sharp and noisy whistle, and the camera switches back and forth between Brando's silent confession and Edie's painful expression, which is a masterful work of dramatic tension. Brando and Kazan's previous films were all proletarian workers/peasants, from the Polish...
On the Waterfront Comments
Extended Reading
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Kid: [crying] A pigeon for a pigeon!
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[first lines]
Johnny: [to Terry] You take it from here, Slugger.