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Beulah 2022-03-27 09:01:14
If the unit of measurement of life is the moment that can change my entire mental structure, then the Dachau concentration camp on the outskirts of Munich, which I was taken to by a young Brazilian friend, must be the top moment for me. The Chinese little brother tour guide, about everything about this...
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Tobin 2022-03-27 09:01:14
Concise and powerful images and language. Why can't we make a film that reflects the Nanjing Massacre...
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Enola 2022-03-27 09:01:14
It is impossible to imagine that such a thing will happen in human society without experiencing it. Human nature may really disappear under a...
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Alyson 2022-03-27 09:01:14
Alain Resnais made a short documentary about the concentration camps for the French culture department, ok, it is considered an intellectual from both perspectives, and a few impressions (the funniest is the letter and a shop, sold for hk$ 140, Zhong If a director is good at making comedies,...
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Milton 2022-03-27 09:01:14
Record. Zoom, an abandoned concentration camp. Moving the mirror, the reality and the past are compared in parallel. Documentary with personal emotions. Photos and motion pictures are interspersed with each other, on equal...
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Luther 2022-03-27 09:01:14
"When the memories go back in time, we pretend to have hope again. It's as if we and the victims in the camps are healed. We pretend it's only going to happen once, in one place, at a time, we don't see our surroundings, we pretend we can't hear the constant flow of humanity....
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Trisha 2022-03-27 09:01:14
Memory and forgetting are the enduring motifs of Resnais' films, and this film is the starting point of this motif. When Resnais made this film, he clearly separated the past and the present (the time of the fascist atrocities and the time of the filming), using black and white to express the brutal past of the concentration camps, and color films to express the peaceful present of the concentration camps. Commentary written by novelist Jean Cayrol adds to the film's unparalleled impact. (via...
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Ettie 2022-03-27 09:01:14
We looked at the pile of ruins with serious eyes, like an old monster perpetually fallen under the rubble. When these images are over, we pretend to be hopeful again, as if the suffering in the concentration camps were healed. We pretend that it will only happen once at a certain time and place, blind to our surroundings and deaf to the never-ending cry of...
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Polly 2022-03-26 09:01:10
O My yellow star, my yellow star, shining in the dark, shining in the night and fog. O Protégez-moi, Protégez-moi, my star of King...
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Eunice 2022-03-26 09:01:10
When I saw this article, my heart was drawn tightly. On the other side, there was an unusual documentary class in 2008 and a shy and inarticulate teacher standing on the...
Night and Fog Comments
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Freida 2022-03-23 09:02:48
NO WAR!
The development of technology and information has temporarily suppressed and mediated human wars. At least the image of this civilization is constantly conveying to people how terrible the war is.
The Bible forgot to add a sentence, the reason why humans live is to fight for territory and then kill... -
Beulah 2022-01-12 08:01:14
The blood is dry, the tongue is silent
Documentary: Ai Le. Restiat
historical consultant: Ogg. Winsor Henry. Mike
Music: Hans. Asle
text: Zhan. Kalu
Photography: Gosling. Crocosaka. Willie
Producer: Eduard .
All Muska’s lines:
A piece of land
or a lush pasture
with crows circling over weeds, a road passed by car farmers and couples,
or...
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Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.
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Récitant/Narrator: 1933 - The machine gets under way. The nation must all sing the same song, with no wrong notes.
