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Nadia 2022-03-26 09:01:04
Conscience? joke. "I'm as mad as hell, and I'm not going to take this...
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Vern 2022-03-26 09:01:04
Today, with the rapid expansion of the TV industry, everyone's life has changed more or less. We have begun to believe in and be fascinated by the virtual world. What can this world bring us? Is it a sensory stimulus that cannot be experienced in real life? Or step by step toward the abyss of loss of...
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Roslyn 2022-03-26 09:01:04
How the Age of Amusement to the Dead began, the earth is flat, the world is ruled by the Giant Company, all of these have been revealed as early as 1976, and in this film, you can see these signs, the beginning of the...
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Federico 2022-03-26 09:01:04
I didn't see the long-awaited specific operation of the media trying to manipulate the audience's mind, and it's not the audience in front of the TV that is crazy, but the TV people behind the TV, I'm really disappointed, where are you hiding the conspiracy theory! In addition, I learned that the standard of American TV movies is a young workaholic female producer/director + a middle-aged male broadcaster/producer whose career is in crisis. ....
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Josefina 2022-03-26 09:01:04
Sidru Metney, who makes movies with social topics, has no one who can draw his critical power. The neurotic and bottomless nature of television was predicted before "Entertainment to Die." This movie is also particularly suitable for contemporary people to watch. Movies like "Mobile Phone" and "Perfect Stranger" only involve personal privacy. Thinking about content, living in the way of media, and finally how to go crazy collectively under the guidance of the neurotic prophet launched by the...
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Shawna 2022-03-26 09:01:04
Satires the hypocrisy of the network, its utilitarian and recreational weapons for profit and propaganda. Everything was scripted, including Howard's death - simply because of his low ratings. His angry speeches were stirring because they were real. Diana is the most vivid embodiment of the network - a workaholic who doesn't understand love and lacks feelings, can do unspoken rules, murder, fake anything sensational. How the medium affects and distorts people's...
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Liliane 2022-03-26 09:01:04
Diana, you are the TV station, everything you touch dies with you. Donna Wei is the most outrageous screen bitch I've ever seen, and I rarely have this overwhelming urge to strangle a character. It's a murderous dystopian movie, and everything it points out is still valid, and it only makes one feel what a bastard species human beings...
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Piper 2022-03-26 09:01:04
Creepy, deafening, trembling all over after watching~~ 40 years later, the situation in the real world has further...
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Zachary 2022-03-25 09:01:07
When watching the movie, I unconsciously replaced Faye Dunaway as Meryl Streep, William Holden as Al Pacino, Peter Finch as Robert De Niro... The final ending is reminiscent of 2019's "clown". - Howard: I'm crazy, I can't take it anymore! — Diana: I was married for four years and pretended to be having a good time. I did psychoanalytic therapy for six years, pretending to be sane. My husband eloped with his boyfriend...I had an affair with my psychoanalyst and he said I was his worst bed...
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Sadye 2022-03-25 09:01:07
In this era, we can make a Weibo version called "The Social Network"... well, if David Fincher makes a sequel to The Social Network, he can consider this...
Network Comments
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Abelardo 2022-03-20 09:01:34
The first host to be murdered by terrorists due to low ratings
Television changed everything.
Murder, war, things that should be sad, are now just a bunch of numbers that make people feel sluggish and lose their enthusiasm for life.
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Pearlie 2022-03-24 09:01:37
hysterical "television man"
As one of the only two films that won three Oscar performance awards, first of all I have to say that the performance of the whole film is superb and excellent. the feeling of play. The performance of the whole play has a very strong sense of hierarchy in the performance of different social roles....
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Max Schumacher: You need me. You need me badly. Because I'm your last contact with human reality. I love you. And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Diana Christensen: [hesitatingly] Then, don't leave me.
Max Schumacher: It's too late, Diana. There's nothing left in you that I can live with. You're one of Howard's humanoids. If I stay with you, I'll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You're television incarnate, Diana: Indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You're madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure, and pain... and love.
[Kisses her]
Max Schumacher: And it's a happy ending: Wayward husband comes to his senses, returns to his wife, with whom he has established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell; final commercial. And here are a few scenes from next week's show.
[Picks up his suitcases and leaves]
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Max Schumacher: After living with you for the last six months, I'm turning into one of your scripts. Well, this is not a script, Diana. There's some real, actual life going on here.
