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Gabriel 2021-11-13 08:01:24
The big boss jansen's speech is too powerful to tell the contemporary world under globalization that the power of mass media has been remembered so far. The crazy power of mass media and the evil power of capital afterwards are crazy to...
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Rosalia 2021-11-13 08:01:24
Globalization is the economic game rule of Western capitalism. It spreads out into a network and then spreads to ideology. Everyone is an insignificant tooth on a huge gear, without you. Monopoly has the shadow of totalitarianism. Lumet is not only criticizing the television industry, but also exposing Western capitalist society to the whole world. A greedy, humanized, cruel capitalist system dripping with blood and dirty every...
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Kristian 2021-11-13 08:01:24
When you meet a media person who can only reach a climax by thinking about the ratings, you should immediately knock her...
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Colt 2021-11-13 08:01:24
The whole world is business. Personally, I think it is very suitable for the current Chinese people to see how the United States in the 1970s is similar to the current China. In the end we all...
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Connie 2021-11-13 08:01:24
The film is good, but everyone is a little too excited; almost every subtitle is followed by an exclamation mark, it is recommended that the rant group collect...
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Miles 2021-11-13 08:01:24
Very predictive. 1. I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE! 2. Lu Meite's films always emphasize story rather than stylization, this time there is still little soundtrack. 3. One of the only two films that have won three Oscars for performance. Beatrice Strett won the Oscar for Best Female Match in just 5 minutes and 40 seconds in the film. 4. The double ironic structure of love and career....
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Fabian 2021-11-13 08:01:24
Director Sidney Lumet first started working at CBS and knew everything about TV stations. When he was young, he was influenced by left-wing ideology. Most of the films have social consciousness. Many films depict small people challenging the system, and they have become victims of society. He doesn't like Hollywood, and 90% of the films are shot on the spot in New...
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Pascale 2021-11-13 08:01:24
Better than "Afternoon on a Hot Day", Sidney Lumet's movie script is very heavy, with clear and powerful expression. Speaking of this, the film perfectly reverses the irreversible impact of television on the world and people themselves. Undoubtedly, the film has a deep understanding of this, and this understanding finally brings a huge sense of despair that permeates the whole...
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Jannie 2021-11-13 08:01:24
A movie that promotes hysteria to the extreme, every character is hysterical, and Sidney's works are as always full of deep thinking about the current state of society. This movie has considerable practical significance even if it is put into today's society. There is no music in the background, and the editing techniques of TV are mostly used, making the film a news series (not referring to the news broadcast or the life of art). The line that compares Diana to TV is...
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Amparo 2021-11-13 08:01:24
In the roaring performance, everyone is a chess piece on the TV network, just like a crazy soap opera, everyone is a jumping clown. The Americans are really crazy, they can come whatever they want, and it's not good to put on TV what they want. . . . . . . Acting textbook, is the male lead a double-yolk...
Network Comments
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Makenna 2022-03-21 09:01:41
I can't finish writing short reviews here.
Max is probably the most rational and last conscience character on TV, at least when he's upvoting old friends and dismissing Diane's crazy plot. His righteous image collapsed with the imminent derailment incident, and under the temptation of Diane, a strange woman who was climaxing for ratings,...
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Susie 2021-11-13 08:01:24
"TV Network" movie script
"TV Network" movie drama
text / [US] Paddy Chayevsky
translation / dry bodybuilding
narration: "This is a story that happened to Howard Bill, the TV news host of the
United Broadcasting Corporation ." United Broadcasting Corporation TV station.
In the surveillance room, four huge...
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Howard Beale: [on the air] Last night, I was awakened from a fitful sleep shortly after two o'clock in the morning, by a shrill, civil and faceless voice. I couldn't make it out, at first, in the dark bedroom. And I said, "I'm sorry, you will have to talk a little louder"... The voice said to me, "I want you to tell the people the truth, not an easy thing to do, because the people don't want to know the truth." And, I said, "You're kidding. What the hell should I know about the truth?" But, the voice said to me, "Don't worry about the truth. I will put the words in your mouth." And I said, "What is this, the burning bush? For God sake, I'm not Moses." And the voice said to me, "And I'm not God! What does that got to do with it." And the voice said to me, "We're not talking about eternal truth or absolute truth or ultimate truth. We're talking about impermanent, transient human truth. I don't expect you people to be capable of truth; but, God damn it, at least you're capable of self-preservation!" And I said, "Why me?" And the voice said, "Because you're on television, dummy! You have 40 million Americans listening to you and after this show you could have 50 million. For Pete sake, I'm not asking you to walk the land in sack cloth and ashes, preaching the Armageddon. You're on TV, man!"
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Laureen Hobbs: The Ecumenical Liberation Army is an ultra left sect, creating political confusion with wildcat violence and pseudo-insurrectionary acts - which the Communist Party does not endorse. The American masses are not yet ready for open revolt. We would not want to produce a television show celebrating historically deviational terrorism.
Diana Christensen: Miss Hobbs, I'm offering you an hour of primetime television every week, into which you can stick whatever propaganda that you want.