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Kathleen 2022-04-24 07:01:05
Some not-so-related thoughts: human beings built society that kills their humanity in turn. In the mundane world there is only a glimpse of the false truth that everyone aspires to believe. Absolute truth does not exist. Extreme and crazy are two DNA single strands that complement each other. Everyone is eager to break through the lower limit in their bones, but mortals wait for others to lay out their bestiality for them, because they are still delusional about entering a paradise that does...
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Michel 2022-04-24 07:01:05
Maybe it's because I think Lumet's Twelve Angry Men is too powerful, and the other works he directed can't be compared with...
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Xzavier 2022-04-24 07:01:05
It opened my eyes. I don't recommend this movie to anyone...
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Edmond 2022-04-24 07:01:05
William Holden and Faye Dunaway are amazing. The audience in the movie is hysterical, and the audience outside the movie is also a little...
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Alana 2022-04-24 07:01:05
Oscar is very fond of chatter characters. The best female supporting role is really good, although it is only a few minutes, but the character is really three-dimensional. Whether the role is good or not is not only in the acting skills of the actors, but also in the creation of the screenwriter. Some characters feel fake no matter how they look at it, because the scriptwriters make them fake, so how do people act... Is the audience so blindly obedient? ? ? The part where he made the TV fake is...
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Kamryn 2022-04-24 07:01:05
I don't think it's too exciting, but I really like Fei Dunaway's character, which is strong, beautiful and impeccable. "I know the first thing you're going to ask me is: what is her weakness? Don't ask. She has no weakness." When Lumet and Fei first met, before they could get to Fei, he just like this said. Yes, that's what she did. Max's wife also did a great job. On the contrary, male characters are not so brilliant. Saw it at the end of September...
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Will 2022-04-24 07:01:05
Sidney Lumet should be the director with the most discerning actors. Although this kind of drama is roaring, but the lines are turned off and the voice is turned off. Everyone's ambition, greed and desire are on their faces. Different from Li Mou frowning and roaring, all the roles played by Li Mou have no lines and do not know what he is doing. This is the gap between actors and actors. Compared with the one-man show "Joker", it actually tells the same story, but the interpretation is...
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Eriberto 2022-04-23 07:01:41
Maybeshewill's Not For Want Of Trying used a passage from the...
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Dee 2022-04-23 07:01:41
The themes are complex but not cluttered. Angry prophets attack the hypocrisy of the times, a group of absurd, crazy, restless media...
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Reva 2022-04-23 07:01:41
The conscience of capital is lost, the entertainment of the media is to death, mercenary is the new packaging of the idealistic angry youth card, the drama within the drama, the perfect, hoarse and even a bit over-performed, an era that needs to be vented. "You are the embodiment of TV. Indifferent to pain, to Pleasure is dulled. Life is nothing but ordinary rubble. War, murder, death...just like a few beers to...
Network Comments
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Jaylen 2022-03-21 09:01:41
almost crazy
Fei Donnawei is so sexy in this film, it's amazing, what people call a white bone in the workplace, a tall and thin Fei. Donnawei explains that the concept of sexy is not the outstanding dazzling body, but the self-confidence and strength in the bones , I think she is basically the successor of...
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Zaria 2022-03-23 09:01:40
perfection in imperfection
I recently read consumer society written by a French sociologist, and I don't know who the author is competing with. He uses enough words to make this book a review material for the American Spelling Grand Prix. I'm glad I didn't watch the French version, otherwise I would have suspected that I was...
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Max Schumacher: You need me. You need me badly. Because I'm your last contact with human reality. I love you. And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Diana Christensen: [hesitatingly] Then, don't leave me.
Max Schumacher: It's too late, Diana. There's nothing left in you that I can live with. You're one of Howard's humanoids. If I stay with you, I'll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You're television incarnate, Diana: Indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You're madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure, and pain... and love.
[Kisses her]
Max Schumacher: And it's a happy ending: Wayward husband comes to his senses, returns to his wife, with whom he has established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell; final commercial. And here are a few scenes from next week's show.
[Picks up his suitcases and leaves]
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Max Schumacher: After living with you for the last six months, I'm turning into one of your scripts. Well, this is not a script, Diana. There's some real, actual life going on here.
