Nashville Comments

  • Zelma 2022-03-23 09:02:49

    Funny dialogue/political allegory/stage performance and campaign speech are one and the same/car cemetery and cemetery poet/jokingly ingenious serial car accident/imitation "Easy Rider" motorcycle/perfect original sound; The person was shocked, shattered by a gunshot, and finally faced the rough future calmly. Altman's powerful multi-line narrative and group drama schedule gives a panoramic view of the American society after the Vietnam War in the...

  • Raegan 2022-03-23 09:02:49

    Ultraman's powerful control ability is vividly displayed in this film, recording events with a harsh attitude and transforming them into film works with complex emotions. Those in power hide themselves, ordinary people are forgotten by the mainstream, and what is left in the middle is a noisy and noisy world. Whenever the film is about to enter the cynic, the appropriate music reminds the audience that things are far from...

  • Ansley 2022-03-23 09:02:49

    It opens with a pan down, moving to a chattering propaganda truck, and ends with a pan up, from the emotionally singing crowd to the empty...

  • Suzanne 2022-03-23 09:02:49

    Ultraman's pinnacle work, changing and vivid shots, countless classic country songs, teasing politics, and indifference to characters. 200 years of campaign and celebration, full of scandal and black. Like Edward Hopper's paintings, a panoramic display of history and...

  • Turner 2022-03-22 09:02:29

    The reason why this docudrama and musical characters are in such a state can be attributed to the general social crisis in postmodernism in the West. The hidden color of political and economic criticism is hidden in the randomly switched (interrupted) but superb splicing narrative. How to succeed is still the purpose of the film - how to repair domestic democracy in the late Cold War to maintain success, and how to maintain the hegemony of the United States in the world and win the Cold...

  • Darian 2022-03-21 09:02:48

    8.0 The short and jumping narration of the group drama stretches into a continuous state of the times, and the music becomes the interlude between paragraphs. With the front and back feet of "Taxi Driver", Taxi Driver's carnival alone, and the loneliness of a group of people in Nashville. Scorsese and Ultraman complement each other into a picture of American imperial city/town life in the...

  • Angel 2022-03-20 09:02:24

    Numbness until indifference sounds extra warm without knowing it. The sound control is the pinnacle of excellence, even if the dazzling component is very large, it cannot be blamed. Perfect ensemble, so much so that it doesn't feel like a show at all. A lot of documentary filming methods are used for the rally performance, and at the same time the scheduling is astounding. The characters are strictly separated, and they are connected by a superficial coincidence and inner hypocrisy. The walking...

  • Brittany 2022-03-20 09:02:24

    A perfect group portrait, absurd and extremely logical in line with reality. In fact, in retrospect, Altman's attitude towards pop music is obviously critical: the flesh and blood get together; the half-hearted playboy sings extremely soulful songs; the pop singer who is not at all simple sings simple country music; He gained fame for his vulgar performances... But the director's attitude was deeply hidden in the process of watching, and the portrayal was extremely natural. how...

  • Kacey 2022-03-19 09:01:07

    It seems that the whole film can be summed up into the lyrics "You may say that I ain't free, but it don't worry me". If there is only time to watch a Bob, it must be Nashville, it is the whole 70s people A portrayal of a half-drunk and half-awake life, where they walked into a bar at will, walked onto the stage, everybody sings! The original soundtrack is...

  • Cristina 2022-03-19 09:01:07

    Welcome! This is...

Extended Reading

Nashville quotes

  • John Triplette: I just want to tell you a little bit about what we're trying to do. I'm not - I know you're astute politically and I'm certainly not here to sell you a bill of goods.

    Bill: I don't care. I don't care about politics.

    John Triplette: Okay, great. Well, let me tell you then, I've got a problem that I think would work to your advantage. As you know this redneck music is very popular right now. And I've got an awful lot of these local yokels on the bill, you know, singing...

    Bill: Your basic country folk...

    John Triplette: Crapola...

    Bill: Right

    John Triplette: So, I think - what I'm going for is a broader appeal, you know.

    Bill: Which is where we would fit in.

    John Triplette: More than just this Southern thing. And I think that you could really - a really hip group, like yours, could walk off with the evening.

    Bill: Yeah, probably the only rock group on there?

    John Triplette: Absolutely.

  • Mary: You see, it really doesn't make any difference because we're registered Democrats.

    John Triplette: Well, I'm a registered Democrat!

    Bill: The only reason we're registered Democrats is because your father was a registered Democrat and his father's a registered Democrat!