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Sister 2022-03-26 09:01:10
It's not very Altman's work, it has both late and early elements, and it can be regarded as his masterpiece. Documentary-like events and a large number of personal POV scenes have a two-way sense of deconstruction. The use of visual elements not only points out the composition of the environment like the previous works, but also allows the audience to find a series of lost clues like an easter egg. Ukiyo-e. His familiarity with multi-line development is very rare, and he can compare with Guling...
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Serenity 2022-03-26 09:01:10
If it wasn't for the lack of internet at home, and if it wasn't for nostalgia, I shouldn't watch this movie. After all, I don't have that much love for country music, and after all, Nacheng where I was at the time lost too much of the country music's shadow, but at least When the familiar scenes and friendly accents are reproduced, I feel that Sansheng is fortunate enough to have lived in it. There are so many memories buried in the Parthenon, I can even remember the cold touch of my hands on...
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Zackary 2022-03-26 09:01:10
The Establishing Shot and Ending Shot are superbly shot, but the middle of each scene doesn't make sense, and the widescreen often has space redundancy. The way the group images are linked is mainly a radio-like never-ending soundtrack, sometimes ironic, sometimes lazy. It's still a lot worse than "The Other Side of the Wind". It wasn't until Barbara Jane took the stage to sing that the first moment of emotional flow came. Altman's use of the actor's signs is a little too...
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Tristin 2022-03-26 09:01:10
2.12 Group portraits of the times. ostentation, control, fame and fortune... the sky is flooded, and there is no trace of anyone. "You can say I'm not free, but that doesn't bother...
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Ibrahim 2022-03-26 09:01:10
I get it. Did I get it? Altman and Woody Allen both belong to New Hollywood. They are both different from the mainstream Hollywood movie styles, and both have directorial skills. It just doesn't suit my...
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Shaun 2022-03-26 09:01:10
I don't know what I'm talking about, I may understand the background of the time to better understand the movie, but a really good movie is...
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Cora 2022-03-26 09:01:10
Deep irony, exciting ending, Lao Ao is still a very loving...
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Damion 2022-03-26 09:01:10
American panorama in the 1970s, the crowd gathered sharply after the chaos at the end, the faces of countless children, the camera slowly retreating, the theme is...
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Salvador 2022-03-26 09:01:10
Great Film, any review is too weak in front of this...
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Corene 2022-03-26 09:01:10
It's really a huge mural, I think it's grand, but it's not necessarily...
Nashville Comments
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John Triplette: I just want to tell you a little bit about what we're trying to do. I'm not - I know you're astute politically and I'm certainly not here to sell you a bill of goods.
Bill: I don't care. I don't care about politics.
John Triplette: Okay, great. Well, let me tell you then, I've got a problem that I think would work to your advantage. As you know this redneck music is very popular right now. And I've got an awful lot of these local yokels on the bill, you know, singing...
Bill: Your basic country folk...
John Triplette: Crapola...
Bill: Right
John Triplette: So, I think - what I'm going for is a broader appeal, you know.
Bill: Which is where we would fit in.
John Triplette: More than just this Southern thing. And I think that you could really - a really hip group, like yours, could walk off with the evening.
Bill: Yeah, probably the only rock group on there?
John Triplette: Absolutely.
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Mary: You see, it really doesn't make any difference because we're registered Democrats.
John Triplette: Well, I'm a registered Democrat!
Bill: The only reason we're registered Democrats is because your father was a registered Democrat and his father's a registered Democrat!
