My Night at Maud's Comments

Arielle 2022-03-19 09:01:11

The suit pockets of religious intellectuals are always filled with all kinds of principled questions, and their hearts are always filled with barriers of moral confusion. Love and sex are the most easily offended G-spots. Anxiety between love and whom to love, or hesitating between doing and not...

Antonio 2022-03-18 09:01:10

Although I also think it's too unprofessional to talk about 400 hits before the screening, but the thought of being on the same stage with an idiot and watching the whole weekend still feels like...

Shaun 2022-03-18 09:01:10

It is amazing that a seemingly dog-blooded four-cornered love relationship can be packaged in such a subtle way by Rohmer. . . The husband who abandoned his wife (it can also be said to be the friend character), the elegant and charming wife, the male protagonist who is full of philosophy and religion, and the young and beautiful lover, in short, four people, two men and two women, form a perfect relationship closed loop, They are implicated and connected to each other, and the cuts are...

Blanche 2022-03-17 09:01:10

Rohmer's movie is amazing, if your old friend invites you to his lover's house and lets you spend the night alone with his lover, and that beautiful woman will tempt you from time to time, unfortunately you and that woman have a good chat Come on, what will happen in the end? Will you stick to principles and ethics? Will you continue to love the person of your dreams? A very delicate night, in which there is a hidden edge in the conversation, and lust and reason are also struggling, and this is...

Janick 2022-03-17 09:01:10

I like Rohmer, starting from this "One Night with Maud". His casual, simple, almost real-life director characteristics made me forget myself, as if I walked into someone else's house to see how other people live. Since this film began to wonder whether the French are really casual about the relationship between the sexes, decades have passed, and there is still no answer until now. After all, a classic is a...

Eli 2022-03-16 09:01:09

The third of "Six Moral Stories": The moral dilemma created by the chaotic men and women at the beginning of the film is easy to associate with the probability theory of mathematics, but the question of choosing A or B is cut layer by layer, and it is cryptic. Shows such a complex relationship between men and women. At the end, the two have their own ghosts, the heroine threw the sand out, and the family ran to the sea-if morality has fallen into an unbreakable deadlock, is there a better way...

Blaise 2022-03-16 09:01:09

The one that best fits my personal experience. It uses the discussion on religion and philosophy and the experience of personal practice to jointly express the dialectical relationship between love and morality from both theoretical and practical aspects. In turn, by constructing the truth of the details to strengthen the viewer's sense of presence and immersion in the situation in which the characters are...

Daphney 2022-03-15 09:01:11

1. Women will hide their stories deeply, keep their mouths shut, and bury their memories; men will keep their past affairs very shallow, and they will be easily touched; 2. "Anyway, it was a long time ago. Now, we said we would never talk about it again." 3. Women are easy to forgive, but men are hard to let go; 4. What kind of situation is more...

Idella 2022-03-13 08:01:01

The fourth of "Six Moral Stories" by Eric Rohmer. As always, he talks about philosophy, religion, politics, love, and life, from Pascal to Jansenism. Although the plot is flat and the form is minimalist, the subtle changes in the relationship between the characters and the feelings of rejection and welcome are delicately captured on the film. But personally, I still prefer to watch Rohmer's color films....

Priscilla 2022-03-13 08:01:01

Francis' blond hair in "Mude" is consistent with the angelic image of this woman in Jean-Louis's eyes, but it contrasts with Mude's black-haired, sophisticated and mature female image. But at the end of the film, it is revealed that she stole her husband from Münder, thus revealing Jean-Louis's innocence and the deception of his subjective will. This just illustrates the two ways in which the blonde woman operates in the film: the opposite of the dark-haired woman, showing how gullible a man...