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Amelia 2022-03-23 09:01:23
Textbook Wes Anderson eye-bleeding colour...
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Kirstin 2022-03-23 09:01:23
I am especially obsessed with the tune of director Wes Anderson, retro, cold and humorous, warm, and a little sad. This story is dedicated to our'beautiful' childhood that was excluded and lonely. Fortunately, it was a happy ending, otherwise I would run in tears in the theater. Go see it again this...
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Korey 2022-03-23 09:01:23
In fact, why should there be a beginning and an end? How does life know when it begins, and how does it...
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Holden 2022-03-23 09:01:23
The soundtrack is...
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Hollie 2022-03-23 09:01:23
Now, they will sing your little fresh lolicon taste until the moon...
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Major 2022-03-23 09:01:23
Why do movies always belong to those weird boys? Normal boys like us are left out in the cold. Our childhood is more colorful than monotonous yellow, okay? Can we kiss each other...
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Davonte 2022-03-23 09:01:23
Lovely magicalism, a love story about two little monsters filmed by a big monster; all the films are Andersonian labels: panning, vinyl records, miniatures; and still shooting on film, too retro Fan is...
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Amparo 2022-03-23 09:01:23
Tell me a sincere recommendation~ Using the animation method to make a movie is also very in line with the type I summarized a while ago: Weird coffee is...
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Sedrick 2022-03-23 09:01:23
Take your old turntable and follow...
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Letha 2022-03-22 09:01:19
The beloved Wes Anderson, a wild elopement of a young adult, adventure together in the black lighthouse and the moonrise fjord that will eventually be flattened by the storm. 1. Two children forced to mature prematurely (see also autobiographical incomplete families or divorced parents), at the age of 12, just before the threshold of youth, the enthusiasm, courage and romance of the teenagers are also childish and lonely Or numb and ruthless adults form a dislocation contrast. 2. Horizontal and...
Moonrise Kingdom Comments
Extended Reading
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Sam: [whispering loudly] Get out of my chimney.
Skotak: Listen to me. We're here for friendship. We're going to get you off this island.
Sam: [whispering] No, thanks.
Skotak: Yes, thanks. This is an emergency rescue.
Sam: [in normal voice] It's worthless to me. There's no point, not without Suzy.
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Suzy: We might have to swim for it.
Sam: How deep is it? I didn't bring my life jacket.
Suzy: I don't know but if it's too shallow, we'll break our necks anyway.
