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Thurman 2022-03-26 09:01:12
1 beauty "Temple of the Golden Pavilion"; 2 art "Kyoko's House"; 3 action "Runaway Horses"; 4 harmony of pen and...
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Osbaldo 2022-03-26 09:01:12
Some montages feel wrong (crossed), I really don't like this editing method, the content has no substantive focus, it is too...
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Berenice 2022-03-26 09:01:12
Schrader's directing is really bad, but the art and soundtrack are so...
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Cara 2022-03-26 09:01:12
It is very interesting to perform four Mishima novels in the form of a stage play, but how can it be possible to explain the person Mishima clearly in 120...
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Nedra 2022-03-26 09:01:12
...
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Marlin 2022-03-26 09:01:12
The film actually incorporates four of Mishima's books. With the exception of "The Golden Pavilion", "House of Mirrors" and "Running Horse", Mishima's life comes from "Confessions of a Mask". I have to say that the interpretation of the work and the portrayal of each protagonist in the film are unsatisfactory, and even go against the law. Such as the young, hesitant, and docile Isun Iinuma. Mishima's actor does not see the pride and seclusion of a samurai, but instead looks like a simple and...
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Florence 2022-03-26 09:01:12
Mishima Yukio is a descendant of aristocracy and inherits the spirit of Bushido in his heart. After Japan entered a modern society, he was still a stubborn extremist militarism, and probably the mentality of gay people was also distorted. committed suicide. As gorgeous as cherry blossoms, they wither, chrysanthemums and swords are both Japanese...
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Jennyfer 2022-03-25 09:01:19
I think Schrader explores the infinite possibilities of images on film. This film is very pioneering and experimental, and the form is extremely ornate. The narrative is divided into chapters, black and white and color interspersed, two time-space cross-cutting, and stage-quality art. design. Schrader is worthy of being a screenwriter. While playing with the form, he also took into account the characterization, and presented us with a three islands that dare to love and hate. Unlike some...
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Stephania 2022-03-25 09:01:19
3.5; Using the four representative works as an index to connect the life of Mishima Hurricane Drama, the text is very superficial and deliberate (in order to "fit" the hard concave feeling of the original work), but the stage installation is amazing enough, and the beauty refers to the first-class; The transformation of the stage, the connection between the present and the past, is very beautiful in form; the casting... Really failed; the soundtrack is good. On the whole, it still carries the...
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Kayla 2022-03-25 09:01:19
This man is bright...
Mishima: A Life in Four Chapters Comments
Mishima: A Life in Four Chapters quotes
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Kashiwagi (segment "The Temple of the Golden Pavilion"): [stuttering] It was as s-small as this, but grew so big... it filled the world like... tremendous music. That's the p-p-power of beauty's eternity. It poisons us. It blocks out our lives.
Kashiwagi (segment "The Temple of the Golden Pavilion"): Please, enough of your pride! Beauty is like a rotten tooth. It rubs against your tongue, hurting, insisting on its importance. Finally you go to a dentist and have it pulled. Then you look at the small bloody tooth in your hand and say, "Is that all it was?" That's the way it is.
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Kashiwagi (segment "The Temple of the Golden Pavilion"): Only knowledge can turn life's unbearableness into a weapon.
Mishima: A Life in Four Chapters
Director: Paul Schrader
Language: Japanese,English Release date: September 20, 1985