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Jeanette 2022-03-28 09:01:08
In the 1980s, it was a must-have for British-style male control. The camera angle was delicate and the picture was extremely perfect. In contrast, the plot also became secondary. James Wilby was shocked. Unfortunately, it was a pity that some small characters played soy sauce later, and the miracle was...
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Letitia 2022-03-28 09:01:08
The last glimpse, the dejection of school...
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Jettie 2022-03-28 09:01:08
We shan't never be parted. It's finished....
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Preston 2022-03-28 09:01:08
He felt like he was sinking with fate, and he scooped out the water from the...
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Julianne 2022-03-27 09:01:15
Ya Hao of British boys and buddies. ....
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Corene 2022-03-27 09:01:15
strong british...
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Serenity 2022-03-27 09:01:15
I finally realized what a strong British taste is. It is slow and lengthy. When I put it in that time and space, I can only understand the feeling of being tangled and forbearing. I like the part in Cambridge, young and energetic, like a pursuit like hiding. Whoever falls in love with whoever leads whoever first is not as profound as Cliff's first to stop. He was such an unruly teenager that attracted Morris, who longed for unruly. That hurried I love you is the mourning of Morris's...
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Audreanne 2022-03-27 09:01:15
James Ivory's masterpiece, the 1987 Venice Silver Lion Award, Hugh Grant and James Wilby won the Venice Best Actor. 1. In the years before the First World War, homosexuality was still a criminal offense. I don’t know how many people were disgraced (there are also fishing enforcers in night bars and alleys in the film), and how many people were forced to love each other deeply. Hide your heart. 2. The career comparison of the two gay writers (E.M. Foster, James Ivory) off-screen is even more...
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Kolby 2022-03-27 09:01:15
People outside the window, what's on the...
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Kraig 2022-03-27 09:01:15
so fucking good...
Maurice Comments
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Alec Scudder: Tomorrow's Thursday. Friday's packing. Saturday's Southampton, so it's goodbye, Old England.
Maurice Hall: You mean that you and I shan't meet again after now?
Alec Scudder: That's right, you've got it quite correct.
Maurice Hall: Stay with me.
Alec Scudder: Stay? Miss my boat? You daft? Of all the bloody rubbish. Order me about again, you would.
Maurice Hall: It's a chance in a thousand we met. You know it. Why don't you stay?
Alec Scudder: Stay? With you? How? And where? With your Ma? Oh yeah. What would she say if she saw me? All rough and ugly the way I am. My people wouldn't take to you one bit. I don't blame them, either. And how would you run your job, I'd like to know?
Maurice Hall: I shall chuck it.
Alec Scudder: Your job in the City? What gives you money and position? You talk like a man who's never had to earn his living.
Maurice Hall: You can do anything. Once you know what it is. We can live without money, without people. We can live without position. We're not fools. We're both strong. There'd be some place we could go.
Alec Scudder: Wouldn't work, Maurice. Be the ruin of
[pauses; sits down]
Alec Scudder: us both. Can't you see?
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Alec Scudder: Now, we shan't never be parted. It's finished.
