Matthias & Maxime Comments

Dahlia 2022-04-23 07:04:31

The strong emotional moments of individuals are captured in the continuous jumping and switching of the group, and the space is transformed into a stage full of emotions, like the best GVS, Matthias & Maxime, giving birth to the general rhythm of Gerry &...

Dianna 2022-04-23 07:04:31

Shooting your own life is a lot better. But the source of inspiration is too obvious. The ladder used our arcade fire... Britney's work bitch really put it in the strip club. I really like boys crying, crying is so...

Duane 2022-04-23 07:04:31

Everyone is running away, matt is running away from his feelings for max, max is running away from his mother, but no matter how fast or far, these things are like gangrene on the bones, like a bloody birthmark on a teenager's face , how can people escape from themselves? Accidentally, I really liked this one. Dolan's control of the "teenage boy" type of characters is proficient, the gags between friends and the stalking of each other, and the fights and good paragraphs are written very...

Michele 2022-04-23 07:04:31

I don't know if it's an advantage or a disadvantage. Dolan played this set from 20 years old to 30 years old. Slow motion, skip axis, zoom, mv, and frame change are still so fanatical in audio and visual, and he is still irritable and irritable in acting. A tender 20-year-old...

Virgil 2022-04-23 07:04:31

The story of the ambiguity and entanglement between the two deep cabinets is pulling each other's hearts; the sub-line is still the conflict between the son and the mother; the picture is still Dolan's aesthetics, and the comedy elements are unexpectedly more this...

Sonia 2022-04-23 07:04:31

✖ Really worse than The Life and Death of John Donovan. Dolan continues to immerse himself in superficial emotions and cannot extricate himself, and the patchwork plot is all more low-level self-repetition. Quebec Guo Jingming's art and photography skills are still there, but on top of such a story, the deliberately created delicacy is extremely excessive in display,...

Oma 2022-04-23 07:04:31

3.5 is not about identity, but more primitive friends crossing the line. Seems to be a retrospective (a tribute?) of "I Killed My Mom" ​​and "Mummy" (feeling Mom is the mom of the former and Julien is the Steve of the latter). Scenes with multiple people talking and arguing are still out of control, but quiet passages can still rely on visuals to shape characters and build emotions. In addition, some dialogues may only be written by queer people who are addicted to the Internet. This is also...

Krystal 2022-04-23 07:04:31

#Cannes2019 Uh. . . Indulge in...

Kaitlyn 2022-04-23 07:04:31

Strong support for changing actors. Lan Lan's goodness lies in her sincerity, no doubt, she always knows what she is good at shooting, and can find a powerful way to express what she wants to express. However, the things she shoots at the age of 30 and 20 are exactly the same. The original intention has not changed, but there is no Growing up, who can stand it. It seems that there is at least some courage at the end of the...

Assunta 2022-04-22 07:01:53

It seems to be repeating itself again, but it is getting warmer and warmer. The noise is still there, but no longer sharp. The double-line perspective is very gentle and warm. Lens shifting/picture cropping/landscape capture/music mix. The seemingly business-as-usual schedule is charming enough. Emotionally less hysterical "catharsis". No shouting and hurt, more delicate warmth. His eyes and words were filled with warmth. No more words, no more expressions, no more possessions. All the...