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Erick 2022-09-27 09:54:13
A generation growing up under the influence of Marxism and Coca-Cola. Familiar interview-documentary dialogue, natural light and sound, brief silence, philosophical thinking/political views drawn by dialogue or games, dislocation of sound and picture creates opportunity for publicity famous. Male-mask and Ass. Questioning the ratio of screening and the sexual satisfaction brought by electronic products. Today's viewing is extremely predictable. The pimple film needs the support of the era's...
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Scot 2022-09-22 00:19:45
There are two kinds of films in the world, one is Godard's film and the other is not Godard's film. If a young man in a movie walks into a café and talks about the revolution and flirts with the girl he meets for the first time, it must be Godard; if a young man is in the living room talking about philosophy with a girl he just met and negotiating a vacation in the country, it must be Godard It's Rohmer. If a young man wanders the streets of Paris, not to say something that only he can...
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Hailey 2022-09-19 15:06:31
It is relatively easy to understand in Godard's works. The director was 35 years old at the time, at the dividing point between youth and middle age, and France was also on the verge of a storm. There are many traces of strong consciousness in the film, focusing on specific issues such as politics, sex, and popular culture, and focusing on revealing social conditions that cannot be ignored, such as the division of men and women, and the objectification of women by consumerism. Especially...
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Guillermo 2022-09-04 23:10:56
Women have no answers to men's questions. The bridge between men and women is not communication, but conflict and sex. Godard throws one question after another, which is the gesture of dialogue and a certain nature of the film, the nature of dialogue with the audience. The Coca-Cola girls choose to speak up, and the Markists choose to be silent. I guess Godard's point of view should be that men are greedy and women are...
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Price 2022-09-04 18:49:50
Godard's thesis film, politics, sexuality, culture, consumerism is all-encompassing. 1. Documentary interviews with long mirrors, loose plots, and interspersed declaration-style large characters, which not only deconstructs traditional films, but also highlights the alienation and rupture of postmodern society. 2. The sound and picture are dislocated, the repeated gunshots, and the intermittent soundtrack in the single shot of the theater. 3. Split words: male = mask + butt, female = nothing,...
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Jairo 2022-09-04 16:37:37
the children of Marx and Coca-cola; we control our thoughts which means nothing, and not our emotions which means everything; it's impossible to always live alone, without tenderness you'd shoot...
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Garry 2022-09-04 16:10:33
Leod went to the screening room to accuse the frame of showing the wrong passage, which brought me to...
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Ivy 2022-09-04 11:30:33
7.7 Real story: I threw away half of the Coca-Cola I drank while watching it, because I am a new-age youth who believes in...
Masculin Féminin Comments
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Spencer 2022-09-04 15:29:17
Pauline Kael on Men, Women: The Beauty and Illusion of Contemporary Life
By Pauline Kael (The New Republic)
Translator: csh
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Lou 2022-09-04 08:44:45
The Children of Marx and Coca-Cola
Personally, I like Jean-Pierre Leaud in the film very much, and I am not only fascinated by him in this Godard film! ! Especially in Truffaut's set of Antoine's Adventures that almost reaches paranoid fondness. Of course, this is the feeling of an ordinary movie fan.
Simply put, this film...
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Paul: U.S. Go Home!
Robert: U.S. Go Home!
Paul: U.S. Go Home! Go Home! Go Home! Go Home! Go Home!
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Madeleine Zimmer - une petite chanteuse: [Voice-over] Today in Paris. What do young women dream about? But which young women? The assembly-line inspectors with no time to make love because they're so worn out? The manicurists on the Champs-Élysées who start hooking at age 18 at the big Right Bank hotels? The rich schoolgirls who only know Bergson and Sartre because their bourgeois parents keep them locked up? The is no average Frenchwoman.
Director: Jean-Luc Godard
Language: French,Swedish,English Release date: March 22, 1966