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Summer 2022-07-04 21:59:24
The subject matter that can often be seen in the eight o'clock file of satellite TV, but the level is completely in two planes. It does not pursue deliberate drama, but it will never let go of the paragraphs that can be played by borrowing the theme. The screenwriter's choice of narrative perspective is particularly bad, almost Just got...
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Anais 2022-07-04 21:41:53
An attempt at a social drama in the 1930s, the script is in place, the two-line narrative is methodical, and the entire plot is realistic enough. The director's careful thought in scheduling, and because of the clarity of the narrative point, can make the audience get it, haha. Of course, this film is also an exploration of tragicomedy and family drama. It can be seen that it will affect Ozu in the future. A lot of contradictions are consciously blurred by the creator. The background is more...
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Josianne 2022-07-04 15:57:17
The essence of the director of this play lies in the exploration of the potential of the actors. The performance is really good, but the script is too routine, but the impromptu lines are not bad. Leo is not the kind of director who is particularly good at scheduling, and the mirror is a little...
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Gabe 2022-07-04 13:46:22
The best old age movie that inspired [Tokyo Story]. 1. Plain and natural, without sensationalism, compact in rhythm, small in size but profound in meaning, the difficulties of old age are all in it: unemployment and pension problems, generation gap and alienation between children and children, inability to adapt to the fast pace of life and emerging lifestyles, Getting into trouble but not knowing it, having been together for decades, and eventually having to say goodbye to each other, nursing...
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Sofia 2022-07-04 11:31:07
Honor thy Father, and thy Mother. As soon as I saw the poster, I was reminded of "Tokyo...
Make Way for Tomorrow Comments
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Pa: 50 years go by pretty fast.
Mr. Horton, Hotel manager: Only when you're happy. How many children have you?
Pa: Five of them.
Mr. Horton, Hotel manager: Really! I'll bet they've brought you a lot of pleasure!
Pa: [Ironically] I bet you haven't any children.
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Lucy Cooper: A man and a maid stood hand in hand, bound by a tiny wedding band. Before them lay the uncertain years that promised joy and maybe tears. "Is she afraid?" thought the man of the maid. "Darling," he said in a tender voice, "Tell me. Do you regret your choice?" "We know not where the road may wind, or what strange byways we may find." "Are you afraid?" said the man to the maid. She raised her eyes and spoke at last. "My dear," she said, "the die is cast. The vows have been spoken. The rice has been thrown. Into the future we'll travel alone." 'With you," said the maid, "I'm not afraid."
