-
Rigoberto 2022-03-15 09:01:05
#Anthony奥尼影展# About alienation. Various master-class subtle details: electric fan play (inside the house, airplane propeller, stock exchange, Del Piero's own), water metaphor, ending air scene, a minute of silence in the stock exchange, several times Kissing across the window. Monica Vitti played too...
-
Rachelle 2022-03-14 14:12:26
"I hope I don't love you, or love you more." The entire city is being eroded by material and desire. The empty shots at the end of the six minutes condense all the seemingly lazy and non-narrative passages, and the emotions are dissolved. . Antonioni’s master-class composition concept allows space to penetrate narrative to the greatest extent, and the boundaries between time and space (day and night transitions, scene changes) blur each other without knowing...
-
Kayli 2022-01-12 08:01:33
If you can go back in time, go back to the 1960s and return to Antonioni's shooting scene to see how these wonderful movies were made. This is also one of my...
L'Eclisse Comments
-
Larue 2022-03-22 09:02:28
space.
If Storaro narrates with light and shadow, Antonioni narrates with space. The determination of various spatial relationships serves the plot, and space becomes a role in the film with more narrative functions.
1. The unique meaning of a specific space
In urban imagery, squares and...
-
Ena 2022-04-21 09:03:02
Lonely and alienated, love out of reach
estranged. The relationship between people always seems to be close to each other, taking one step closer, and then lingering two steps, as if playing a game on the table, no one will show their cards, and no one will be happy. This kind of emotional gambling, even if whoever has the upper hand,...
-
Vittoria: As long as we were in love, we understood each other. There was nothing to understand.
-
Piero: You mind telling me what's wrong?
Vittoria: Nothing! Let's walk a bit.
Director: Michelangelo Antonioni
Language: Italian,English Release date: December 20, 1962