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Elwyn 2022-03-19 09:01:07
How to use movie language to show that two people have lost their appointment? An Gong told us: Just take an empty shot for eight minutes at the original...
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Jerel 2022-03-19 09:01:07
Seven and a half empty shots ended. Inner realism, Antonioni is boring Antonioniennui. Free eyes cannot escape the unbalanced sense of gains and losses. Disturbing stock exchanges. Alain Delon was majestic, and at the same time he felt like a...
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Laurianne 2022-03-19 09:01:07
A black and white movie with colors that can be seen every frame is a beautiful and independent...
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Johann 2022-03-18 09:01:05
Their emotional world is silent and silent, while the material world surrounding them is noisy and noisy, communication seems impossible, only the two ends of the phone line are connected with material interests; the ambiguity and evasion in the night, a relationship that does not trust each other , The close-up of the two entangled hands is exactly the hopeless escape of two empty hearts; various empty shots, empty scenes and lined buildings, Antonioni’s audiovisual language is really...
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Madisyn 2022-03-18 09:01:05
I think Alandron is the most perfect actor since the birth of the film. His non-acting is a perfect interpretation of the role, the ultimate in static braking. This film succeeded in dissolving the lingering middle-class pretense of Antonioni's film because of his existence. He used a fresh and vain attitude to dilute the sweet and thick emotions in the image, and made Monica who exudes the taste of a bourgeois lady. Vitilla is on the track of a rebellious youth film. This is also the only...
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Mireille 2022-03-17 09:01:06
Modern love: Since when did love become a...
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Aurore 2022-03-17 09:01:06
8.0/7.6 Looking at Antonioni, I feel a kind of extreme sadness. It is the kind of sadness that shatters the truth after piercing through all appearances. When what you believe in becomes illusory, sadness is just a superficial description, and the actual emptiness is as deep as...
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Jasen 2022-03-16 09:01:06
The first time I saw it, I felt that I found the ideal love, "As long as we are in love, there is no need to understand each other." Then I saw that the meaning was reversed. People still have the second half. Is there still a need to love? In terms of time, this film is about the early days of love. Everything is not so desperate and sweet, but the roaming and emptiness have already begun, including the empty mirror at the end that implies an unknown future. Evil...
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Isobel 2022-03-16 09:01:06
One of Antonioni's favorite so far. Setting a large number of scenes directly on the exchange clearly involves the relationship between profit-seeking and alienation: everyone is in a state of indifference and indifference to others, beginning with female to male, then mother to female; the hero and the heroine finally walk away. When they came together, the end came to an end. "Antonioni-style boring" is also at its peak in this movie, but it's actually very boring. The more you look at the...
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Fletcher 2022-03-15 09:01:05
It is not so much the love of two people as it is depicting two different worlds. Jump from the dance party to the crazy exchange, always wandering the empty soul. Space and environmental sounds have increased this difference. On the one hand, there are African drum beats that ring through the night, and on the other hand, the ringing of the telephone that never stops. In the last few minutes, the alienated scene and the indifferent body under the empty camera, everything is new life,...
L'Eclisse Comments
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Marta: The six million Negroes want to throw out the 60,000 whites. We're lucky they're still in trees and have barely lost their tails or they'd have already thrown us out.
Anita: About time, too.
Marta: I'll just say one thing. There are about ten leaders who've studied at Oxford. The others are all monkeys - six million monkeys.
Vittoria: But if you like it there, they must be charming monkeys.
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Woman at the Borsa: Got any tips?
Vittoria's Mother: Yeah, but I keep them to myself.
[Talking to herself]
Vittoria's Mother: She's a jinx. Worse than a rattlesnake.
Director: Michelangelo Antonioni
Language: Italian,English Release date: December 20, 1962