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Titus 2022-04-21 09:02:30
The film uses cool tones to set off the lonely character of the protagonist. The details of feeding birds and dressing wounds make the characters more three-dimensional. The unexpected ending also adds a touch of romance to the...
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Alayna 2022-04-21 09:02:30
Oops, this kind of suspense film that turns police and gangster films into literary films is the most appetizing! The script edits the soundtrack, creating a very successful atmosphere, slow and detailed, but not boring; I especially like the set, seeing his broken apartment (birds in a big cage), as well as the nightclub and mansion where the murder took place, the spatial relationship naturally exudes Cold and stiff. Although I think Delong is not good-looking in this one, but it is cool and...
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Monica 2022-04-21 09:02:30
The biggest charm of film noir is that it gives you some details to let you think about it on the basis of the brief structure of the big...
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Floy 2022-04-21 09:02:30
The documentary value of this film to film history is much higher than its artistic value, and To Qifeng's set of things can be regarded as some kind of inheritance, right? Although the ending sublimated the whole film, but the similar feeling was that Jiamusu's "Ghost Dog Killer" did a better job. Anyway, this is the tone: what brother kills is not human, but...
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Fabian 2022-04-20 09:01:48
Samsung and a half, such a beautiful shot schedule and atmosphere, should be used to make an art film, but ended up shooting such a business script with empty details but a loose structure. Alain Delon's image in it feels like a mix of Tom Cruise and Toshiro Mifune, but I personally don't like this kind of overly restrained performance. Do the French police really dispatch so many police forces for a...
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Jalyn 2022-04-20 09:01:48
Alain Delon's most stern and handsome screen image, frozen in a trench coat, a top hat and a revolver, is an excellent example of a ruthless killer. I really like Vermeer's films with very little dialogue, using images to create a chilling atmosphere. A lot of directors these days are actually making dialogues when they make...
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Guido 2022-04-20 09:01:48
This bleak hue is reminiscent of Lupa's Heroes' Square. Melville chose another very challenging role, because most of his actions have no explicit language, the protagonist almost lives in a silent film, and the first sentence is finally spoken in the first ten minutes, which shows the level of audio-visual narrative. high. The time for the killer to escape is much longer than the time to kill, but at the moment of killing, Mr. Mei used all kinds of small tricks, which even affected the...
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Imelda 2022-04-20 09:01:48
When the lone killer no longer walks alone, he also loses the most important and purest share. With fetters, you will lose yourself, and choices will have emotions. I saw the shadow of a lot of movies, and it really had a great influence on the later genre films. Alain Delon is the most handsome man I've seen in a coat....
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Hertha 2022-04-20 09:01:48
Love and love are small words and righteousness, the noble proposition of life and death, Alain Delon is so handsome, so...
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Oceane 2022-04-20 09:01:48
I really like the cold "loneliness" and "fateful feeling" from the beginning to the end, from the inside out. Minimalism does not mean simplicity, concise and clear camera language, ethereal and immersive soundtrack, and ubiquitous details. Alain Delon has created a fully three-dimensional and full character. "He" is always in a state of "split", and has to constantly drift between sensibility (the change of his own emotions) and rationality (the identity of the killer), struggling left and...
Le Samouraï Comments
Extended Reading
Top cast
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[pulls a gun on her, she just looks disappointed]
Valérie: Why Jeff?
Jeff Costello: I've been paid to.
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Jeff Costello: Why did you say you didn't recognize me?
Valérie: Why did you kill Martey?
Jeff Costello: I was told I'd be paid.
Valérie: What did he do to you?
Jeff Costello: Nothing at all. I didn't even know him. The first and last time I saw him was 24 hours ago.
[pause]
Valérie: What sort of man are you?