Le Samouraï Comments

Juliana 2022-04-24 07:01:14

Gentleman killer (dressed up and tidy mineral water before the trip), handsome face that does not reveal a trace of emotion. Love the gray box at the beginning to fix the camera, and the slight push and pull on purpose. The footage is more gentlemanly, and if Hollywood does the subway chase or the bugging scene (Melville even had the cops get a smaller one), the editing must be dazzling. Killers must know when they are going to die. Shawn Yue and Alain Delon are somewhat...

Raphael 2022-04-24 07:01:14

This killer is cold. Simple, stern, and without delay, this group of three words can be used to describe both the director's shot and the actor's performance. The director is just as wonderful as the...

Christa 2022-04-24 07:01:14

The film has been hailed as the coolest and most poignant killer movie. Aaron Delon's ruthless and tough style, loner action mode, sophisticated scene scheduling in the movie, and a tragic but poignant ending have established a unique aesthetic style for killer...

Coralie 2022-04-24 07:01:14

I really don't like a little white face like Alain Delon. . . He is simply a French version of Huang Xiaoming. ....

Guadalupe 2022-04-23 07:02:33

Film Noir can actually shoot so coldly, it's cool to the core. Melville is a genius at creating a sense of form: cool tones, lighting, highly designed lenses, zooms, and edits that are clean, elegant, and cool. This is exactly the kind of movie I wanted to make: The Killer, The Bar, The Female Pianist, The Birdcage, and that fateful...

Roel 2022-04-23 07:02:33

[A+] is basically the film that best portrays the gloomy and cold atmosphere, and almost all elements in the film have this kind of temperament. Aside from the cold-toned lighting, lens-sensing, background music, etc., which have been used all over the world by later generations, this film is most commendable for two points: the first point is the objective factor that cannot be replicated, that is, Alain Delon. His unattainable handsomeness has a kind of high-cold temperament. . The second is...

Henri 2022-04-23 07:02:33

(8.5/10) Four and a half stars, the cold image of film noir and the mental state of French existentialism have constructed Alain Delon, a lone killer who walks between black and white, from the inside out. The killer image created by Melville has become the standard for a ruthless killer, a lonely, taciturn, elegant gentleman, not the Belmondo in the cynical "Exhausted", but more like someone who was abandoned by the world, lost in himself, and constantly escaped. Existentialist, a lonely...

Winfield 2022-04-23 07:02:33

Jazz interspersed with no feeling at the end, coupled with Delong's lonely figure, the theme of a lonely killer will always have love Jeff, a top hat, Leon, a small round mirror How many souls of innocent girls have been taken away? Reno is silent, tall and mature, and lured out a group of uncle-controlled haram movies. It's all your fault that you can't find a...

Gayle 2022-04-23 07:02:33

218@haining riverside was slow in the past, and the few steps taken were meticulous or lengthy-beautiful, mournful, and controlling faces; light and shadow, canaries, women's eyes; no way, no way, no fear of death; Smart, taciturn, precise desperation; alienation, loneliness, we're born that way—he's just tired of living?—but there's something enduring about such a fictional and seemingly shriveled...

Arnold 2022-04-23 07:02:33

Bresson's machinery is injected into the film noir. Only one animal, a caged bird, appears in the whole film, but all the characters are waiting for opportunities like animals, constructing an unknown predation web. The combination of static language actions and dynamic scheduling, emotional The middle is cold and warm, and the split is the killer itself. Later Diao Yinan should have stolen a lot from...