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Alexander 2022-03-27 09:01:14
Between the afternoon and the evening, watch it twice. As soon as the heart is so dark, it will not be dark, and when life is so ephemeral, it will be old and not old, and it will be extremely sad. Nothingness is not only, we tend to pin our hope of survival on love and chase after love, and we tend to forget love and dissolve love. At that time they said on the roof of the monastery, who needs beautiful things now, and how long they will last, these are things of the last century. "The most...
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Madisyn 2022-03-27 09:01:14
4.0 No one really wants to do...
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Ryley 2022-03-27 09:01:14
The picture of looking for someone on the island is really weird, so weird that the three of us all started to fall asleep from there, and then suddenly began to watch the love in the shadow of the dog-blooded ex. Still, the woman who can see clearly is deeply shaped, and the ending of the last hand is wonderful and...
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Houston 2022-03-26 09:01:10
92/100, Antonioni's compositional skills are truly breathtaking (there are even cases where multiple compositions are formed through the movement of people in the same shot). Under the influence of his scene and focus magic, the scene and space are no longer just a foil, but more like turning into characters to join this love "adventure" together. The disappearing "MacGuffin", the sense of alienation under the slow rhythm, and every push and pull between the characters makes me sigh at his...
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Demarco 2022-03-26 09:01:10
92/100, Antonioni's compositional skills are truly breathtaking (there are even cases where multiple compositions are formed through the movement of people in the same shot). Under the influence of his scene and focus magic, the scene and space are no longer just a foil, but more like turning into characters to join this love "adventure" together. The disappearing "MacGuffin", the sense of alienation under the slow rhythm, and every push and pull between the characters makes me sigh at his...
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Sabrina 2022-03-26 09:01:10
It is really wonderful to use the scene to reveal the mood of the characters. First, the desert island shows alienation, then the hotel shows confusion, then the suburbs show desire, the countryside shows anxiety, and the clock tower implies fear. The last is the subversion and conclusion of everything. Where has Anna gone? swallowed by...
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Angelita 2022-03-26 09:01:10
Whether it is in the wilderness space on an isolated island or in a man-made space that is constantly drifting away, human emotions always seem to exist amid uncertainty and doubt. On the one hand, women are indulged in the temptation of love, but at the same time they suffer from the suspicion and fear brought by love. This emotion cannot find a home in people, trying to release it in the constantly changing space, but it seems to be more and more suppressed. At the end of the film, the woman...
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Maia 2022-03-26 09:01:10
Whether it is in the wilderness space on an isolated island or in a man-made space that is constantly drifting away, human emotions always seem to exist amid uncertainty and doubt. On the one hand, women are indulged in the temptation of love, but at the same time they suffer from the suspicion and fear brought by love. This emotion cannot find a home in people, trying to release it in the constantly changing space, but it seems to be more and more suppressed. At the end of the film, the woman...
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Hosea 2022-03-26 09:01:10
The empty space at the end of "Eclipse" hints at the theme of this film: disappearance, the end of love is the beginning of marriage, in "Adventure", travel becomes a ritual, as a continuation of the relationship in the indoor drama, the alienation of geographical location does not There is no deterritorialization, but a possibility of escape in the folded layer. We can of course find out how the space on the island was rapidly territorialized when Anna disappeared, Sandro's libido hunting for...
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Tremaine 2022-03-26 09:01:10
#Documentary# Antonioni 01, not easy to sleep, even has a sense of suspense. The irony of love and marriage is penetrating. After reading it, there is endless emptiness. The upper class seems to be happy and lively, but in fact it is indifferent and alienated. The first time I saw Antonioni, I was very lucky on the big screen. I was amazed at Anshi's use of space and perfect scheduling, and there was no idle writing in the...
L'Avventura Comments
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Il principe Goffredo: It's strange how women enjoy showing themselves. It almost seems like part of their nature.
Giulia: [laughs, looks at a nude portrait] How can they pose that way? I couldn't.
Il principe Goffredo: Why don't you try?
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Sandro: Was she blonde or brunette?
Pharmacist: Brunette.
Pharmacist's jealous wife: Blonde.
Sandro: What was she wearing?
Pharmacist: I don't remember. Some pale color, I believe.
Pharmacist's jealous wife: He doesn't notice the clothing. He notices what's underneath.
Director: Michelangelo Antonioni
Language: Italian,English,Greek Release date: March 4, 1961