-
Jeffrey 2022-03-28 09:01:08
High fashion interiors, as well as Sicilian architecture, serve as a backdrop for the silent tears of men and...
-
Gayle 2022-03-28 09:01:08
Fellini contrasts the emptiness with the noise, Antonioni perpetuates the death of the environment and the characters, and the relationship between people is shaky and may disappear at any time. Claudia woke up in the middle of the night, worried that her boyfriend was having an affair, and the conflict between silence and anxiety reached a...
-
Jaquan 2022-03-28 09:01:08
There is always a different world in Anton's...
-
Virgie 2022-03-27 09:01:14
The 9.6/10.0 trilogy, compared to the later work, added a lot of soundtracks to enhance the atmosphere, but continued its flat and soothing rhythm and time characteristics; the cold shots did not calm down for a long time, and it did not weaken Antonio. Nikki's representative, layered, and delicate composition creates a spatial effect brought by a geometrically beautiful picture. Combining the two, the emotions of the audience in the theater are easily brought into the characters and situations...
-
Letha 2022-03-27 09:01:14
Drowsy... The female lead is really good, and the eye scenes are also...
-
Lacey 2022-03-27 09:01:14
#SIFF2020 Harm, no matter how the space is narrated, the story is still rambling and...
-
Lowell 2022-03-27 09:01:14
Rewatch. I like the setting of the character Claudia very much. She is always the third party bystander, and all couples force her to be present when they are intimate, even if she clearly shows a desire to leave. Every time she left a "triangle relationship", she was not excluded, but actively escaped. When Anna disappeared and she finally entered into a relationship, she still chose to constantly escape and refuse. At the end, Sandro, who seemed to be cheating, betrayed her, but on the other...
-
Lawrence 2022-03-27 09:01:14
Eternal dislocation of men and...
-
Stan 2022-03-27 09:01:14
Several characters are more annoying than the...
-
Deshaun 2022-03-27 09:01:14
The representative of the flow of life, the film language change and the modernist art influence the milestone of the film, and the plotless film starts. Intellectuals' loneliness and uncertainty of spiritual anxiety, exploration and analysis of the soul, and the question of modern survival value from the perspective of existentialism and Freud. Complicated and slow long shots, silent and minimal dialogue, restrained performances, no emphasis on music and light effects. Id, film language,...
L'Avventura Comments
-
Il principe Goffredo: It's strange how women enjoy showing themselves. It almost seems like part of their nature.
Giulia: [laughs, looks at a nude portrait] How can they pose that way? I couldn't.
Il principe Goffredo: Why don't you try?
-
Sandro: Was she blonde or brunette?
Pharmacist: Brunette.
Pharmacist's jealous wife: Blonde.
Sandro: What was she wearing?
Pharmacist: I don't remember. Some pale color, I believe.
Pharmacist's jealous wife: He doesn't notice the clothing. He notices what's underneath.
Director: Michelangelo Antonioni
Language: Italian,English,Greek Release date: March 4, 1961