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Theron 2022-03-23 09:02:48
It's great to watch at...
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Rigoberto 2022-03-22 09:02:28
It also belongs to the most pioneering echelon in the group portrait of the new wave works. After reading it, I feel that "Hiroshima Love" is really easy to understand by comparison. Stream-of-consciousness movies, with non-stop narration, cut space and time in an absolutely unconventional way, expressing the alienation of modern people's minds. Whether it is the solidification of the performance, or the extremely fast flashback or repetition of the camera lens, the lingering entanglement of...
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Coralie 2022-03-22 09:02:28
It also belongs to the most pioneering echelon in the group portrait of the new wave works. After reading it, I feel that "Hiroshima Love" is really easy to understand by comparison. Stream-of-consciousness movies, with non-stop narration, cut space and time in an absolutely unconventional way, expressing the alienation of modern people's minds. Whether it is the solidification of the performance, or the extremely fast flashback or repetition of the camera lens, the lingering entanglement of...
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Velda 2022-03-22 09:02:28
Love is unbelievable, blurred, and ambiguous. Isn't this the most typical movie that people who pretend to be 13 must talk about, it's hard to...
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Eloy 2022-03-22 09:02:28
Love is unbelievable, blurred, and ambiguous. Isn't this the most typical movie that people who pretend to be 13 must talk about, it's hard to...
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Sam 2022-03-22 09:02:28
Happy to see it again on the big screen. Let the Buddha enter a beautiful and mysterious dream, don't try to do any analysis, just enjoy the feeling of being...
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Alysa 2022-03-20 09:02:23
It turns out that the closer the film is to literature, the more freedom it...
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Donnell 2022-03-20 09:02:23
The pursuit of formal and fragmented sound and picture effects creates a sense of alienation. The sense of space created by a large number of camera movements, tirelessly repeating reality, breaks the illusion of the integrity of the real world. The continuous appearance of metaphors such as mirrors and sculptures seems to be to prove that the film creates a fuzzy space different from the narrative space and the psychological space, in which memory and desire are intertwined in a disorderly...
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Martine 2022-03-20 09:02:23
The characters are stiff like statues, and the dramatic walking positions are reminiscent of Dreyer's "Ge Chu". Godard's "Contempt" borrowed a lot from the multi-angle moving camera shooting around the statue. Between the lens and the lens, time and space are misaligned, and this misalignment is also intensively expressed in a long lens. Repeated monologues or the same actions become the only way to...
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Evan 2022-03-20 09:02:23
1. The image of poetry, the rhythm of music; 2. Return to the essence of film as video art, rather than the aid of narration; 3. There is no beginning and end ring; 4. The dialogue and struggle of desire, the dialogue between the audience and the author Fighting with each other; 5. The integrity and sense of space of the film as an independent art...
Last Year at Marienbad Comments
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Levi 2022-01-12 08:01:29
People are iron and steel, so I don’t pretend to panic for a while
When Adorno was talking about Schoenberg's "atonal" music revolution, he said that the significance of this revolution is that once it happens, it is impossible to look back. Of course, composers can continue to write "tonal" music, but it has lost the directness without reflection before: this...
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Misty 2022-04-19 09:02:37
Vous êtes toujours la même
It snowed today, and I sat listening to the man's endlessly repeated poetic monologue. A little feeling:
1 It is necessary to observe (roadside picnic) with the patience of watching Bi Ganpai tractor reversing
2 Very delicate set and photography, jewelry that still sparkles in black and white,...
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[X wanders through the hotel's corridors cataloging items he sees]
X: Empty salons. Corridors. Salons. Doors. Doors. Salons. Empty chairs, deep armchairs, thick carpets. Heavy hangings. Stairs, steps. Steps, one after the other. Glass objects, objects still intact, empty glasses. A glass that falls, three, two, one, zero. Glass partition, letters.
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X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.
A: I have never stayed so long anywhere.
X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?
A: You're raving! I'm tired, leave me alone!
