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Bonnie 2022-03-27 09:01:05
It stands to reason that no one can match this little boy's acting skills. This kind of family drama has always been a child's brilliant, but there is no way, his parents are legendary actors, and they are...
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Dovie 2022-03-27 09:01:05
Good Inciting Incidents (including their timing), constant conflict, reversal of values, and the foreshadowing of the penultimate courtroom scene allow the film to avoid the "negative" impact of the love factor, so that the simple story The climax of the last scene is full of real...
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Dovie 2022-03-27 09:01:05
Really beautiful and real. The story is very simple. It reflects the various problems of family, couples and children in the United States at that time. I can't believe it was a film in the 1970s. This film was a huge winner at the 52nd Oscars, and all the male and female protagonists were nominated. The acting skills of Dustin Hoffman and Aunt May are textbook-level. That long-lost hug at the end was really...
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Bell 2022-03-27 09:01:05
So wonderful, even though the movie mainly shows the life of the father and son, it shows the relationship between the three people perfectly. Not being able to take care of family and work is probably the sadness of all advertising people in the world....
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Tess 2022-03-27 09:01:05
The perfect story illustrates the "back to family" orientation. Textbook level explains that "conflict" is not necessarily a crash, "opponent" is not necessarily an evil villain, and "dilemma" is not necessarily a dead...
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Taryn 2022-03-27 09:01:05
The mother leaves, the father takes care of the son alone; the mother comes back and wants to take the son with him. Similar to the setting of "A Lang's Story", this family story theme is easy to resonate with the audience, and has achieved both box office and awards. Aunt Mei's role is relatively small, mainly representing the trend of awakening female consciousness, striving for independence and abandoning her husband and children. The observation point of parenting is mainly given to the...
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Tia 2022-03-27 09:01:05
The feminist background is a big plus. Interestingly, it does not emphasize the perspective of "female". Instead, it only gives Joanna a certain prudent and subtle portrayal, and instead pays more attention to the differences in the family structure. From the title of the film Kramer vs. Kramer can see that while depicting the functional transformation of traditional father and mother images, the brush and ink on both sides are completely equal and...
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Kristy 2022-03-27 09:01:05
The point of concern in the court is very subtle, [persistence] and [stability], and the ability of a marriage to maintain different positions on both sides. Why do couples have to leave to understand each other better? If it is related to the background of the film (feminist movement), then the film has risen a level. A woman who has left home finds peace of mind and a better version of herself, but at the same time, she is still unable to leave her...
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Ned 2022-03-27 09:01:05
There are no fancy tricks, no loud and exciting scenes, ordinary family ethics drama, and it is the magic weapon of winning. Especially for middle-aged people with children, watching such a film is such a profound reality...
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Jany 2022-03-26 09:01:04
Marriage is heavier than divorce. Fertility is scarier than abortion. A stable family always hides unexpected changes and conflicts. Man lives in diminishing scarcity, in universal and eternal scarcity. There is not enough in the world to enjoy. Not enough food, not enough justice, not enough love. When love passes by in a life of serenity and contentment, and desires are surrounded by overwhelming worries, once-loving couples experience palpable pain from boredom. So real marriage, than fake...
Kramer vs. Kramer Comments
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Phyllis Bernard: Hello Kramer.
Ted Kramer: Will you check the copy on the Mid-Atlantic.
Phyllis Bernard: Sure.
Ted Kramer: I think its okay.
Phyllis Bernard: [studying the document] Yes.
Ted Kramer: Yes, what?
Phyllis Bernard: [looks at Ted] Yes, I'll have dinner with you.
Ted Kramer: Thank you.
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Ted Kramer: [gets out of bed] Where are you going?
Phyllis Bernard: To the bathroom.
Ted Kramer: That's a closet. The bathroom's over there.
Phyllis Bernard: Oh, yeah. You're right.