Kanal Comments

  • Jules 2022-03-18 09:01:07

    This movie must watch the tidbits. Polish national division Wajda took Munch’s gun and used the Soviet Union’s thawing wind to "make a movie politically," and tortuously expressed the theme that "the military targets of the Warsaw Uprising were the Germans and the political targets were the Russians." Audiovisually inherited Italian neorealism and established the style of the Polish school. The long-moving lens is the main feature of the film. People in the sewer have different psychiatric...

  • Kraig 2022-03-18 09:01:07

    [Da Guangming 1 Hall 2K Restored Version] Vajda’s "War Trilogy", the second, a dark and cruel journey to purgatory. 1. Realism and romance are intertwined, one is the panic, fear and dying struggle in the water channel, which is not only the true face of the Warsaw Uprising at the end of the Warsaw Uprising, but also the humiliation, misery and homelessness of Poland and its people during World War II. The epitome of the fate of home. 2. The short silence in the first half and the battle on the...

  • Melyna 2022-03-17 09:01:08

    Both of Da Guangming are so dark. It is hard to imagine that only two years before Vajda’s feature-length debut, he has handed over what can be called a god-made film. The long shots have smooth movement, strong narrative, and extremely full portrayal of group portraits. Every character has flesh and blood, desires and weaknesses. The scheduling in the sewer is also a must. I don't know how the camera is set up. The human ladder scene that the musician saw before he went crazy, in just a few...

  • Alena 2022-03-17 09:01:08

    It's really great. It's very complicated. In a completely perverted purgatory, life and righteousness have become antonyms. The artist has seen everything, heard the soundtrack of the movie, and completed a performance art that embodies the essence of purgatory existence. There are sewers everywhere, and in this trial, they are not even a resistance army, just fragile, strong, small and great people. Thinking about it this way, in such a dark environment, maintaining persistence in love and...

  • Ross 2022-03-16 09:01:07

    Polish master exhibition. The ground is the reality of a hellish battlefield, and the ground is the epitome of the Polish people’s resistance to war. The moving long mirror throughout the article not only gives a strong sense of presence, but also allows the air of dung water to overflow the screen. The light separated by a shot and the exit separated by a thunder are all metaphors of war. Looking at World War II from a Polish perspective is too suffocating and too...

  • Lina 2022-03-16 09:01:07

    @ Poland Film Master Exhibition-In the doomed battle, one side is the endless torture in the sewers, and the other side is the burning city on the ground and the corpses of the compatriots. The people have no choice but to choose each...

  • Hubert 2022-03-15 09:01:09

    +. After the realism and formality of space (composition space level, lens space movement trajectory) are properly balanced, the film is already half of its success. The second half enters the intricate sewers, and the plot clues branch off and enter a closed-loop labyrinth, starting a narrative game in a serious drama atmosphere. The characters are not imposed on the initial facial makeup, but are not symbolized in the actions they perform until the end of the arc. Therefore, what we receive...

  • Elroy 2022-03-15 09:01:09

    The dynamic long shots are already proficient. The close-up shots magnify the cramping, suffocation, and depression of the enclosed space. It is not only a documentary, but also turned the entire sewer space into a political battlefield full of hardships, dangers, and hopelessness in the Warsaw Uprising, and then focused on it. Human existence and alienation itself. In Vajda’s feature-length films, the language and tone of the front and back shots always turn from realism to romanticism, and...

  • Oceane 2022-03-14 14:12:28

    @2021 Polish Masters Exhibition. The beginning is through the ruins, announcing the deaths of the protagonists in advance: remember what these people look like, the last time of these heroes' lives; there are bombers in the air, tank bombs on the ground, you can only walk through the sewers, what's in the sewers? In addition to poison gas, there are only nightmares and fears. Some are similar to those in the third person who can’t get out, and some come out and then crawl back... Of course...

  • Mireya 2022-01-20 08:03:42

    The fate of the rebel army is like the whole of Poland. It has a huge sense of powerlessness and humiliation. The chaos is only worth looking for an exit in the dirty and stuffy sewer like hell, which is too dazzling compared to the darkness and sunlight. The second part of the Vajda War trilogy won the Cannes Jury Prize. His film was not an anti-war film, but an anti-national anti-society at the time. At the beginning, the long mirror was madly edited for confined space scheduling. The Polish...

Extended Reading
  • Sam 2022-01-20 08:03:42

    The end

    From the point of view of the extent of brain concussion
    beyond the ashes of diamonds and
    this is my movie in the TOP3 ~~

    Wajda
    people to tears of sadness but no
    frozen
    silence wake

    of war
    and only
    war the result
    is the earth's most intense joy and grief
    of war just about beliefs and ideals
    blood...

  • Rogelio 2022-01-20 08:03:42

    I love you, Jacek (Comment)

    Polish Film Masters Exhibition, Great Guangming Hall 1, 4k scanning and 2k restoration, 2019 Cannes Classics, 9 points

    1. The percussion of the opening timpani reminds me of "So Zarathustra Says", and the Shostakovich-style musical language follows. If you think this is a Soviet-style socialist...

Kanal quotes

  • Narrator: These are the tragic heroes: watch them closely in the remaining hours of their lives.

  • Halinka: It's easier to die when you're in love.

Kanal

Director: Andrzej Wajda

Language: Polish,German Release date: April 20, 1957