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Christopher 2022-03-19 09:01:06
Truffau took photos of happiness so happy, sorrow so sad, despair so desperate. Love that everyone can't let go is doomed to disaster. The music is...
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Maximillian 2022-03-19 09:01:06
This is the greatest 3P movie in the world. Truffaut's filming of this originally unsatisfactory novel can be used as a model case of literary adaptation. Rochet's original work is drastically cut off the branches and branches, but he compiles detailed dialogue on the basis of the original story-like outline. The scenes are mainly shots, the dialogue scenes are very attentive, and the freeze frame and zoom are both wonderful. Particularly rare is the insertion of fragments from old...
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Nella 2022-03-18 09:01:05
To be honest, the first classic of New Wave King Truffaut I watched didn't feel good. It's just a few freeze frames and fast zoom. Although the story is feminist, it doesn't seem like Truffaut's original intention. Anyway, I really bother this woman after watching, selfish, capricious, fickle and irresponsible, maybe I bother her so well because of her acting well. But to say that she can experience the vitality of life from her body, I will not accompany her. Anyway, my opinion of all romance...
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Cletus 2022-03-18 09:01:05
Perhaps as Truffaut said, in terms of love, girls are professionals and men are just...
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Sammy 2022-03-17 09:01:05
We just can’t grasp the zero point and boiling point of each other’s...
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Haskell 2022-03-17 09:01:05
Oops, the new wave is not easy to talk about...
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Gerda 2022-03-16 09:01:05
God Jule, I don't believe anyone can love someone like this. Let's push our freedom to the extreme and see what happens. It turns out that in the ultimate freedom, everyone is not...
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Kylee 2022-03-16 09:01:05
8/10. Truffaut has assembled the fancy forms of the New Wave's signature: smooth camera movement, condensing mirrors, overprints, cover changes, and flowing close-ups, conveying a wild and irresponsible atmosphere. The most amazing thing is that the film captures Catherine’s mysterious and capricious image like a statue slide. When Catherine comes on stage, the side and front shots show that Juul and Jim are shocked by the beauty of her statue, and then use fire and The image of water enhances...
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Seamus 2022-03-15 09:01:05
This is the deepest kind of love and attachment I have ever seen. It is not a one-to-one relationship. It is a love between three people. It does not stop at the relationship between sex and possession. It is a kind of wandering. The living organism itself is always looking for the most suitable host. And all the choices they made were just out of following the creature...
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Tyshawn 2022-03-15 09:01:05
The Madelung girl in "Wandering in the Dark Night" shot Robinson and jumped out of the car, as awe-inspiring as Catherine in Juul and Jim, driving her lover to death. And, the wild rose of Paris. In literary works, you give me death if you love me. Live an imperfect life, rather than die, don’t live it out, and don’t live in...
Jules and Jim Comments
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Michale 2022-04-20 09:02:10
true to the heart
Haven't seen a love movie so close to "love" in a long time...I'm fascinated by almost every minute
Every time the frame is frozen, it seems to be the most precious memory in the protagonist's heart, a photo.
The lines are literary, but more like a "left bank" style, the 42nd minute, Jim's childhood...
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Verlie 2022-03-21 09:02:38
summer love
I have always wondered why Taiwan translated Zu Yuzhan as Summer Love, and also wondered why it was Zu Yuzhan. The second half of the original book is almost all about the love-hate entanglement between Zhan and Cates, Zu turned into a Buddha, he has lost his passion for loving Cates, and loves her...
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Jules: The most important factor in any relationship is the woman's fidelity. The husband's is secondary. Who was it who wrote, "Woman is natural, therefore abominable?"
Jim: Baudelaire, but he was describing a certain world.
Jules: Not at all. He spoke of women in general. What he says about a young girl is magnificent: "Horror, monster, assassin of the arts, little fool, little slut. The greatest idiocy combined with the greatest depravity." Wait. I'm not finished. This is marvelous: "I'm always astonished they allow women inside churches. What could they possibly have to say to God?"
Catherine: You're both fools.
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Jim: I understand.
Catherine: I don't want to be understood. It's almost dawn.
Director: François Truffaut
Language: French,German,English Release date: January 23, 1962