I Vitelloni Comments

  • Magnus 2022-10-03 10:54:02

    "We kept talking about leaving, but only one person, one morning, without a word, really...

  • Darion 2022-09-29 12:14:30

    #2020SIFF# The first part of the Shanghai Film Festival, starting with Fellini is still very satisfying! The story of this kind of small town youth is really familiar, and I can see the shadow of countless movies, but it is said to be a swinger, but everyone is a full-length wool coat, suit, and trench coat. Is it suitable for a swinging gentleman? Seeing them full of hope but trapped here and wandering around, dazed and dazed and with nowhere to put their vitality, is really standard for all...

  • Brooke 2022-09-27 15:09:02

    The group portrait life of young Italians in a small town, doing nothing and doing nothing, is a bit like the Japanese movie "Worthless", but the ending is a bit Hollywood. 【Archive Fellini Centenary Birthday Restoration Film...

  • Evert 2022-09-27 10:58:54

    Fellini's third work, the Venice Silver Lion. The confusion and absurdity of the five young people in the town show the taste of neorealism. There's that kind of idle fun that runs through the whole movie. At the end of the film, there is a stroke of magic, emphasizing that ambition is always timid, but those who really want to leave will not make a sound, just...

  • Jacklyn 2022-09-22 19:04:33

    I didn't get tickets for the Shanghai Film Festival, but I found out that there is a film festival in Suzhou. I was very lucky~ A not-so-young youth film, Fellini, who has a cheerful tone, linear narrative and no dreams, is much more...

  • Serenity 2022-09-19 21:28:46

    4+. The courage to face reality and choose to leave and grow up alone ("You won't commit suicide, you are a coward"), one of the best endings in film history, and the beginning of the master style. A kind of calm onlooker who shuttles between the noisy crowds of the carnival (like inheriting Rossellini's "humility"?), and at the same time there is a strong nostalgia and Yiyi's perspective of detachment; later, it enters a more desperate and ironic state (the position of the protagonist also...

  • Magnus 2022-09-12 11:35:31

    In the black and white images of Fellini's carnival and banter, there are always empty streets, parting figures and lonely company. People always have to learn to grow, they have to learn to accept, they have to endure humiliation and burdens, and the prodigal son has to turn back; everyone is discussing leaving, but everyone has to choose to stay. Except Morado, who loves to watch lightning before the rain, is like Fellini who left...

  • Jada 2022-09-09 11:30:08

    I have a heart... This kind of confusion without seeing hope may be even more desolate than the despair that the dust settles at the end of "The Great Road". The roar of the train is mixed with the footage of the fox friends being pulled away from the bed. The portrayals of others are behaviors and emotions, and only Moraldo's insubstantial chat with Guido at dawn is closest to the soul. Those empty, beautiful and sleepy...

  • Aidan 2022-09-07 21:10:28

    On the early morning train, Morad watched his friend who had never said goodbye sleep peacefully, but he was going to live on that Sirius star. It turned out that from the beginning to the end, Fellini was describing the noise and tranquility of a...

  • Brady 2022-09-07 17:33:58

    Fellini's third work, won the Venice Silver Lion. 1. A simple but powerful good story, a classic satirical educational drama - a flirtatious child realizes the importance of family, a fable of struggle and escape. 2. Group portraits are vivid and vivid, and photography tends to be in the middle. 3. Those who kept talking about leaving still stayed, and those who were always silent finally chose to leave. 4. Leopard Tail: The imagination of the train saying goodbye and pulling away from the...

Extended Reading

I Vitelloni quotes

  • Narrator: We all talked about leaving, but only one of us, one morning, without a word to a soul, actually left.

  • Sergio Natali: [to Leopoldo and his mates, who have gathered at Natali's dressing room to visit him] Forgive the candle. In these second-rate theaters, they always steal the light bulbs. May I offer you a cigarette? They're domestic, you know. American cigarettes are very bad for you.