I Vitelloni Comments

  • Jeffry 2023-01-06 16:51:20

    Maybe many people have experienced such sloppy years, maybe only those who have experienced such years will know how to cherish life...

  • Vinnie 2023-01-05 08:50:44

    The ideals of young people in the small town are anxious and longing for the distance, but when the train really enters the station, they are cowardly and dare not move, so they have to escape into the emptiness of pleasure. Fellini hinted at the collapse of faith with the stolen idol, and Moraldo, the fool who pulled the cart, became the only devout. (It seems to be the narration of this film, another "Holy Fool"?) The narrative efficiency of the camera is extremely high. Although there are...

  • Wyatt 2022-12-29 00:09:40

    Abandoning a sister to send a hangover friend home, the emotional vacuum can't accept the old sister's elopement, the artist is most likely to be engaged by the art, the affectionate scumbag has no fate, the workers who are teased do not let go of the socialists, wandering around in the early morning all the year round. Leaving without a word... It's like seeing myself and my friends walking on the streets late at night, an eternal vacation without a job and...

  • Adolfo 2022-12-21 04:42:59

    Fellini, 1953. Fellini said he loved this one. Fellini's films are full of strong personal characteristics, he can analyze almost every passage, and is extremely clever and full of fantasy. His carnival, his trip to the beach, his farewell by train, his wedding, and the awards he gave at the beginning of the film almost cut off the film and then reassembled it through inner connections. The beginning also echoes the White Chief. However, there are also...

  • Julianne 2022-12-18 19:42:31

    Desica uses earthy realism, while Fellini resembles a frenetic flow of images. By recording the decadence and despair of a group of unemployed youths, he uses images to construct the style of post-war Italy. Wandering without the purpose of life, the Italian version of Faust with insatiable appetites. There are thousands of Faust in the eyes of the masters, and their interpretations and interpretations are also different. In the end it came out...

  • Liana 2022-12-18 15:28:06

    The characteristics of classic Italian movies: outdoor banquets that are sure to rain, wandering on the streets late at night, wind blowing by the sea, and a heartless mother and treasure boy who is a drag on everyone. I still think that the artistic level of Italy is much higher than that of France, and even beauties are far more beautiful than France. France has a strong momentum of entry due to the fashion industry, as well as the aesthetics of paper people in recent years. Italian handsome...

  • Allan 2022-12-13 09:30:13

    20131215 Fellini Film Festival. Great fun, blood-soaked and emotional, you can see the common things in youth, indulgence, surrender and separation, fictional images, expressing incomparably real. "Day in and day out, we have nothing to do but go home" is not necessarily profound, but it is evocative.

  • Vallie 2022-12-02 08:14:57

    The more you think about it, the stronger it becomes, the more you chew it, the more flavorful it becomes. At the end, I looked down and moved the montage back and forth, and I unconsciously shouted "Wow" with a few people in the hall. Quick and precise editing, rich and dynamic shots, whether group portraits or singles, combine comedy and realistic "portrait" techniques without wasting a minute. In 100 minutes, Fellini told the story that the younger generation (Lione, Martin, Coppola) would...

  • Claud 2022-11-25 01:08:14

    8.9; Let's go, let's go, people always have to learn to grow up by...

  • Alysa 2022-11-18 14:45:35

    Morad is very much like Fellini. In the early morning, he left without saying goodbye to the yesterday in his sleep. The young man who walked out of the small town went to a distant place where he did not know his fate, but a part of him remained there forever....

Extended Reading

I Vitelloni quotes

  • Narrator: We all talked about leaving, but only one of us, one morning, without a word to a soul, actually left.

  • Sergio Natali: [to Leopoldo and his mates, who have gathered at Natali's dressing room to visit him] Forgive the candle. In these second-rate theaters, they always steal the light bulbs. May I offer you a cigarette? They're domestic, you know. American cigarettes are very bad for you.