Humanity Comments

Ericka 2022-03-20 09:02:57

Farah rejected Domino's temptation, because this exposed pussy made him connect with the naked pussy in the rape and murder case at the beginning, and began to question the true meaning of sexuality to people, its restraint and abstinence for Farah, and for Domino and her. Boyfriend's indulgence, possession and madness of the murderer...Fara is a person who lives by obsession after all, and the obsession to find the truth of the case from beginning to end. This obsession with the search is...

Payton 2022-03-19 09:01:10

I feel that I can understand Du Meng's creative ideas very well, and I also see the meticulous creative attitude; Lazaro's male protagonist and this male protagonist are basically the same style, and the reason is the same, and the female protagonist here is also a non-professional actor , her face is equally magical. How should I put it, it is more natural and balanced than Lazaro in performance, but it is more obscure in expression. There are a lot of boring moments, sometimes life is boring,...

Myrtice 2022-03-19 09:01:10

Post-theology/everyday/de-style sexual perversion and integration of good and evil, the strategy of avatars is carried through, and the last mirror is clear. The visual management around the frame (painting, cinematic) is more...

Adrienne 2022-03-19 09:01:10

near perfect. In the early days, Dumont was good at setting his naturalistic vision (the latter was more inclined to the performance mode) in an isolated and narrow world model. The subject tried to manifest himself in the mirror image of the other, but kept failing, and in the end he was left in the void of subjectivity. gained a transcendent admission in the field of . Pharaoh shouted at the speeding train, not to vent his anger, but to test whether he really exists in the face of an object...

Olin 2022-03-19 09:01:10

Someone in the #Cannes2021 short comment said that Faraon is very likely to come from aliens. That's right. He does not rely on vision but touch to read and transmit information, because the focal length of his vision is much longer than ordinary people. All his subjective viewpoints in the film are Presented as a close-up, or even watching a fight in the UK, is to complete the scene switching through the switching of viewpoints. At the same time, the detection is far from the intention of the...

Robin 2022-03-18 09:01:09

(20160417 has five stars: an enhanced version of the director's previous work "Son of Man".) This book has three and a half...

May 2022-03-18 09:01:09

Towards a non-anthropocentric and phenomenological (in the sense of Merleau-Ponty's indirect ontology) cinematic...

Alda 2022-03-17 09:01:09

It's not as stunning as the debut. You can see many of Du Meng's future motifs, and his personal style is strong, but it always feels a little bit worse. If it wasn't for the magic at the end, this movie is really meaningless. In addition, the male lead performance of the happy Lazaro should refer to this one, the sluggish and free Jesus-like...

Toby 2022-03-17 09:01:09

20100310 love the first time; 20180605 love the second time; 20190930 still love the third time. I found out that this year was the 20th anniversary of its release, so I took it and played it again. Compared with the other weirdness that I liked this film at first, the feeling this time is completely different: 1. Du Meng probably shot the male protagonist according to the appearance of Jesus. The plane in the film, the high poles appeared several times, the male protagonist. Floating in the air

Briana 2022-03-16 09:01:08

Farah's image reminds me of the Lazaro I watched last year, and there's a certain kind of mourning in them that mirrors the response to the world. But I like Farah better than Lazaro. He was mixed in the turbulent crowd, mixed in human nature, mixed in the whispers of desires that were intentionally or unintentionally hidden, and maintained a kind of calm. (Actually, Dumont's films always have a serene deity.) Follow him wherever he goes, step on the mud, wrestle, lie on the mud, and see...