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Amy 2023-06-28 18:23:53
I don't understand why it's so...
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Devon 2023-06-10 21:38:34
I can't remember, but it feels...
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Maiya 2023-05-08 12:36:37
The human skin just fell off and was still...
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Cleora 2023-03-03 12:37:23
Just look at the ancient style, the rest have no bright spots, and what is going on with that long yo-yo performance!...
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Chaim 2023-02-25 01:25:57
With my guts, if I watch this at home alone late at night, I will definitely be scared, the story is very smooth,...
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Leonora 2022-12-29 22:23:16
The classic scenes from the videotape period of the Audio-Visual Archive are still fresh in my...
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Dessie 2022-04-24 07:01:25
As a classic gothic horror film of that era, in fact, from the current point of view, this film does not have any sense of horror at all, but the overall atmosphere is created quite well, and it is also revealed that there is a little suspense in it, but in that year this film was It is really quite avant-garde to be able to show it in 3D format. Generally speaking, the completeness of the plot is relatively high. It tells a paranoid revenge story in a limited film length, and the rhythm is...
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Pearlie 2022-04-24 07:01:25
Maybe it was great back then, but it's easy...
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Betty 2022-04-24 07:01:25
Deceived by the poster.... I must watch a movie that showcases Vincent Price's beauty in all directions, layers and...
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Aurelia 2022-04-24 07:01:25
In fact, I don't think the ending is over yet, the man in the forest, I'm very...
House of Wax Comments
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Prof. Henry Jarrod: People say they can see my Marie Antoinette breathe; that her breast rises and falls. Look at her eyes. They follow you where ever you go. She's very real to me.
Bruce Allison: You know her eyes do follow you.
Prof. Henry Jarrod: They're made of glass, more's the pity, the exact size and color of the original. They're inserted into the sockets from inside by way of the hollow neck before the head is attached to the body.
Prof. Henry Jarrod: [speaking to the figure of Marie Antoinette] Forgive me, my dear, for discussing your intimate secrets.
Prof. Henry Jarrod: [to the men accompanying him] Oh, I'm sorry. I lose myself at times.
Sidney Wallace: Professor, if people knew what you have inside these walls, you couldn't accomodate the crowds. What you need here is exploitation - more advertising.
Bruce Allison: Thats exactly what I've been telling him.
Prof. Henry Jarrod: Oh, my partner wouldn't agree. He's not happy here. He wants to invest in something else. Mr. Wallace, would you care to become a partner in this venture? Would you buy him out?
Sidney Wallace: You know, I might take you up on that offer, if my lawyers approve and the price is right.
Prof. Henry Jarrod: With your support I could do wonders. I'd make any sacrifice.
Sidney Wallace: Unfortunately, I'm leaving this weekend for Egypt. I'm financing some excavations there. However, I'll be back in three months - then I'll be glad to discuss the deal.
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Cathy Gray: [Sue is helping Cathy get ready] Pull it tighter Sue, pull it tighter, I want a waist like Anna Held.
Sue Allen: If I pull it any tighter you're not going to be able to breathe.
Cathy Gray: Oh that's alright, I don't need much breath anyway, as my late friend Matty used to say, if a girl don't watch her figure the men won't.
Sue Allen: Matty? Wasn't that the man you were going to marry?
Cathy Gray: Yes but he hung himself instead.
[giggling]
Cathy Gray: Oh Matty was such a card.
Sue Allen: Well where's your new friend going to take you tonight?
Cathy Gray: To the Hauffman House for dinner, then to Tony Pastors for the vaudeville show.
Sue Allen: That sounds like fun.
Cathy Gray: Oh yeah he's a free spender alright, a little bit older than I like them, but awfully distinguished looking, I'm moving up
[stops and breathes in slowly]
Cathy Gray: , I'm moving up honey, no girl ever hits the jackpot till after she passes 14th street.
