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Landen 2022-05-09 12:07:43
The interviews with the directors were very interesting, and the old Ma and Vinci talked about the movie if it was made for two hours, it would also be worth watching. However, the background of "Hitchcock in Conversation with Truffau" disappeared for nearly half an hour. The content was listening to Marty and David analyzing Ecstasy and Horror... It was generally shot as a...
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Rebeka 2022-05-09 11:57:10
That translator has a sense of existence than...
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Adelbert 2022-05-09 10:46:47
The title of the film is actually misleading. In front of Hitchcock, all the big directors became pupils, including Truffaut. The first reaction after reading it was to buy the book...
Hitchcock/Truffaut Comments
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Felipe 2022-05-09 18:33:13
Different from book title
The opening of the sect is not necessarily clear. The documentary is called Hitchcock and Truffau, but it is not a documentary of these two people, but interviews with many famous artists. The interview format was quite casual and relaxed, and the film review materials were mixed with the...
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Hal 2022-05-09 18:56:14
"The movie is making a certain choice"
Hitchcock, who is always sharp, confident and humorous, has a doubt about himself after producing a series of successful works on the mass market: Am I an artist or an entertainer?
If he has seen Badiou's film on art and non-art The discussion of the relationship may not need to be tangled. In...
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Alfred Hitchcock: [Discussing "Psycho"] It was necessary to make the robbery and what happened to the girl, purposely on the long side, to get an audience absorbed with her plight. Where I slowed up was when I came to the scenes that indicated time and trouble.
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Martin Scorsese: [Discussing "Psycho"] The best scenes for me are, one's he must have spent time on, the driving shots. You had to spend time on those, particularly the points of view, somehow. And the framing of Janet Leigh in the center of the frame with the top of the steering wheel in the bottom of the frame. Because, you can make a choice. You can go above the steering wheel, you know, or you can go further out. But, then, maybe you won't see her eyes as well. That's like the perfect size. The scene with the policeman, of course, the framing of him staring into the car, yes, we know, with the glasses, he's scary. But, there is something about the restraint of those frames. You see, the more you restrain, the better it is when the explosion happens. And on the way to the explosion there are these meditative states. Driving. And there's a sense of movement ahead, movement ahead.
Director: Kent Jones
Language: English,French,Japanese Release date: March 31, 2016